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Richard Rodriguez

119 quotes

“Certainly in Mexico, the Latin American country I know best, white ascends. Certainly, the whitest dinner party I ever attended was a Mexico City dinner party where a Mexican squire of exquisite manner, mustache, and flán-like jowl, expressed himself surprised, so surprised, to learn that I am a writer. One thought he would never get over it. Un escritor . . . ¿Un escritor . . . ? Turning the word on a lathe of tooth and tongue, until: “You know, in Mexico, I think we do not have writers who look like you,” he said. He meant dark skin, thick lips, Indian nose.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“The other night at a neighborhood restaurant the waiter, after mentioning he had read my books, said about himself, “I’m white, I’m nothing.” But that was what I wanted, you see, growing up in America—the freedom of being nothing, the confidence of it, the arrogance. And I achieved it.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“I was made an example of—by that woman from the Threepenny Review as the sort of writer, the callow, who parades his education. I use literary allusion as a way of showing off, proof that I have mastered a white idiom, but do not have the confidence of it.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“It interests Americans that Canada is clean and empty and unimplicating; the largest country in the world that doesn’t exist. Without distinct music or food or capacity for rudeness— less rich, less angry, less complicated, less neurotic, less dark, less brilliant.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“Try as we will to be culturally aggrieved by day, we find the gringos kind of attractive in the moonlight.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“My father died of neither hot nor cold. My father was as leathern as a saint. He required no trees. As unrefreshed as a Muslim courtyard. He required no fountain. No music. Whenever he saw a baby he said “poor baby.” His questions were the basic questions, as prosaic as footsteps. What is heaven like? Will I be young? Will I be with Mama? Will I go to sleep? (I don’t know, Papa; how can I know?) Absurdly, I gave answers.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“Every generation of Americans since has had to reenact the loss of our innocence. Smog over L.A. was the loss of our innocence. Vietnam was the loss of our innocence. Gettysburg was the loss of our innocence. Ingrid Bergman’s baby was the loss of our innocence. Oklahoma City was the loss of our innocence. The World Trade Center was the loss of our innocence. Other nations are cynical. America has preferred the child’s game of “discovering” evil—Europe’s or Asia’s, her grandfather’s, even her own.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“The sole religious orthodoxy permitted in our public schools is the separation of paper from plastic. Not so many miles from this beach, great-grandchildren of westering pioneers chain themselves to redwoods, martyrs of the new animism.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“Americans are so individualistic, they do not realize their individualism is a communally derived value. The American I is deconstructed for me by Paolo, an architect who was raised in Bologna: “You Americans are not truly individualistic, you merely are lonely. In order to be individualistic, one must have a strong sense of oneself within a group.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“A priest visiting my parish preached a sermon wherein he referred to homosexuality as a “lifestyle.” By which he meant a choice. So, too, my beloved Father O’Neill (to whom I confessed as a child) said to my sister, a few months before he died, that he disapproved of “Richard’s lifestyle.” Homosexuality requires cubism to illustrate itself, perhaps. But homosexuality is not a lifestyle. Homosexuality is an emotion—a physiological departure from homeostasis.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“To watch people on their phones in a crowd is to notice how disconnected they seem; how unprepared for solitude they seem. Neurosis, yes. Novelty is the American neurosis.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“At the dawn of a worldwide religious war that Americans prefer to name a war against terror, I feel myself drawn to Islam, drawn to read the Koran, even to kiss the Koran—melodramatically, but sincerely—as I did one evening recently in front of a university audience. I meant to honor Islam. I meant to convey that, as a Christian, I consider myself a loving brother to the Muslim, as I am to the Jew, by the favor of Father Abraham.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“The paradox of monotheism is that the desert God, refuting all other gods, demands acknowledgment within emptiness. The paradox of monotheism is that there is no paradox—only unfathomable singularity”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“My skepticism concerning all notions of reconquista is skepticism toward the view that history is restorative. I get older but I do not grow wiser. It is only by shedding skin, by turning pages, by ordering stronger spectacles, by having my hair cut, that I seem to be restoring myself to a circular pattern, that I seem to progress toward youth and capability, though my progress is actually a decline.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“America is a faith, perhaps pancakes its sacrament. Opportunity comes to those who put away the disadvantages of family or circumstance and entrust themselves to the future. The point of the American story is simple enough for a child, particularly an immigrant child, to grasp: The past holds no sway in America.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“Q: Why do I stay in the Catholic Church?”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“One night in Boston I went out to dinner with my editor and his wife—this was my first editor, the beloved editor, and I was in awe of him; I still am in awe of him. The editor kissed me on the cheek as we parted and called me his “darling boy,” as if thereby investing me with the Order of Letters Genteel. It was among the happiest nights of my life; I was filled with sadness as I watched the two of them, the editor and his wife, walk away.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“Roles of pathos were available to boys at my high school, but I eschewed them in favor of a role more akin to Prosecutor, Ironist. I advanced by questions. In some more perfect world, like American Bandstand, I suppose I would have been happier in a sexually integrated high school. I knew how to talk to girls. I had two sisters. And I loved to talk. But early nonsexual female companionship would have come at a price. “Sissy” is the chrysalis of “darling.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“It would be another two decades before I came upon the words that made me think I had a story to tell—the opening words of Maxine Hong Kingston’s The Woman Warrior: “You must not tell anyone,” my mother said, “what I am about to tell you.” The immigrant mother’s prohibition to her daughter reminded me of my own mother’s warning about spreading “family secrets.” In the face of California’s fame for blatancy—in the face of pervasive light, ingenuousness, glass-and-aluminum housing, bikinis, billboards—Mrs. Hong recommended concealment.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“L.A. likes to think of Las Vegas as the populuxe mirage of Hollywood, a place where middle-class tourists look like movie stars but aren’t, spend like millionaires but aren’t.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“Americans experience time in two distinct ways—as religious people and as people of no religion. Just so, we experience ourselves as a historical people and as people who are not implicated by history.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“Family trips of my childhood always began with a prayer. I suppose when one goes on vacation, one is courting death in some fashion, tying the morgue tags onto one’s suitcase. But then, too, vacations are respites from death, from thoughts of death. I have sometimes wondered why friends under medical death sentences have undertaken arduous trips or undertaken arduous labors. To put some distance between themselves and death—the obvious answer.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“One can become overwhelmed on vacation—I have become so—by thinking thoughts that are too large. There is a condition identified in psychology textbooks as the Stendhal syndrome, also called, or related to, the Jerusalem syndrome, that describes a tourist’s overwhelmed response to great works of art or to a sudden apprehension of scale, antiquity, multitude, death—the accompanying fear is of one’s insignificance, but also of squandered opportunity.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“In a region of mind without coed irony, where women are draped like Ash Wednesday statues (as too hot to handle) and stoned to death on an accusation of adultery (as too insignificant to cry over), men, among themselves, have achieved an elegant ease of confraternity and sentimentality.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“The prospect of a generation of American children being raised by women in homes without fathers is challenging for religious institutions whose central conception of deity is father, whose central conception of church is family, whose only conception of family is heterosexual.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“When Cesar Chavez died in his sleep in 1993, not yet a very old man at sixty-six, he died—as he had so often portrayed himself in life—as a loser.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“No Chavez speech I have read or heard approaches the rhetorical brilliance of the Protestant ministers of the black civil rights”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“On the one side, the Mexican side, Mexican peasants are tantalized by the American possibility of change. On the other side, the American side, the tyranny of American optimism has driven Americans to neurosis and depression, when the dream is elusive or less meaningful than the myth promised. This constitutes the great irony of the Mexican-American border: American sadness has transformed the drug lords of Mexico into billionaires, even as the peasants of Mexico scramble through the darkness to find the American dream.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“Nineteenth-century California rewarded only a few of its brotherhood, but it rewarded them as deliriously as an ancient king in an ancient myth would reward.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“The brilliance of Midwestern California, the California that is founded upon discontent, and the reason why so much technological innovation springs from the West Coast, is that having confronted the finitude of the coastline, technologists in Silicon Valley have shrunk the needed commodity—the future (thousands of miles of Zen pathway)—to the size of a fleck of gold dust, to a microchip.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“I never learned to throw a baseball with confidence, but I knew how to aim a newspaper well enough. I could make my mark from the sidewalk—one hand on the handlebar—with deadeye nonchalance. The paper flew over my shoulder; it twirled over hedges and open sprinklers to land with a fine plop only inches from the door. In the growling gray light (San Francisco still has foghorns), I collect the San Francisco Chronicle from the wet steps. I am so lonely I must subscribe to three papers”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“Several days later, I tell a neighbor, a man I know well, that my mother died and that the floor lamp in my bedroom came on during the night. My neighbor is sincerely sorry to hear of my mother’s death; he supposes there must have been some kind of surge in the electrical grid. Our lives are so similar, my friends’ and mine. The difference between us briefly flares—like the lamp in my bedroom—only when I publish a religious opinion.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“My brother is now seventy. His hands are burled with arthritis. Some days he walks with difficulty.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“My brother and I have, after many years, achieved our importance to each other as a difference. Because it is sometimes difficult for my brother to climb the steps to my apartment, he will often come by and we will sit in his car and talk. We quite enjoy one another’s company. My brother is no less a good man for not believing in God; and I am no better a man because I believe. It is simply that religion gives me a sense—no, not a sense, a reason, no, not exactly a reason, an understanding—that everyone matters.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“Nothing else Chavez wrote during his life had such haunting power for me as that public prayer for a life of suffering; no utterance sounded so Mexican. Other cultures in the world assume the reality of suffering as something to be overcome. Mexico assumes the inevitability of suffering. That knowledge informs the folk music of Mexico, the bitter humor of Mexican proverb. To be a man is to suffer for others—you’re going to suffer anyway.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London, they want to float down the Nile in a felucca; they want five-star bricks and mortar and do not disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (ADD TO SHOPPING CART), they will do it.”
Richard Rodriguez (born 1944) first seen 2009 wikiquote, CC BY-SA 4.0 source
Recorded in: Twilight of the American Newspaper" in Harper's Magazine (2009)
“Mexico is a nineteenth-century country arranged for gaslight. Once brought into the harsh light of the twentieth-century media, Mexico can only seem false. In its male, in its public, its city aspect, Mexico is an arch-tranvestite, a tragic buffoon. Dogs bark and babies cry when Mother Mexico walks abroad in the light of day. The policeman, the Marxist mayor — Mother Mexico doesn't even bother to shave her mustachios. Swords and rifles and spurs and bags of money chink and clatter beneath her skirts. A chain of martyred priests dangles from her waist, for she is an austere, pious lady. Ay, how much — clutching her jangling bosoms; spilling cigars — how much she has suffered.”
Richard Rodriguez (born 1944) first seen 1990 wikiquote, CC BY-SA 4.0 source
Recorded in: Night and Day" in Frontiers (1990)
“His name was William Saroyan. He was the first writer I fell in love with, boyishly in love. I was held by his unaffected voice, his sentimentality, his defiant individualism. I found myself in the stories he told... I learned from Saroyan that you do not have to live in some great city — in New York or Paris — in order to write... When I was a student at Stanford, a generation ago, the name of William Saroyan was never mentioned by any professor in the English Department. William Saroyan apparently was not considered a major American talent. Instead, we undergraduates set about the business of psychoanalyzing Hamlet and deconstructing Lolita. In my mind Saroyan belongs with John Steinbeck, a fellow small town Californian and of the same generation. He belongs with Thornton Wilder, with those writers whose aching love of America was formed by the Depression and the shadow of war. … Saroyan's prose is as plain as it is strong. He talks about the pleasure of drinking water from a hose on a summer afternoon in California's Central Valley, and he holds you with the pure line. My favorite is his novel The Human Comedy... In 1943, The Human Comedy became an MGM movie starring Mickey Rooney, but I always imagined Homer Macaulay as a darker, more soulful boy, someone who looked very much like a young William Saroyan...”
Richard Rodriguez (born 1944) first seen 1997 wikiquote, CC BY-SA 4.0 source
Recorded in: Time Of Our Lives" (26 May 1997)
“My parents seem to me possessed of great dignity. An aristocratic reserve. Like the very rich who live behind tall walls, my mother and father are always mindful of the line separating public from private life. Watching a celebrity talk show on television, they listen for several minutes as a movie star with bright teeth recounts details of his recent divorce. And I see my parents grow impatient. Finally, my mother gets up from her chair. Changing the channel, she says with simple disdain, ‘Cheap people.’ My mother and my father are not cheap people. They never are tempted to believe that public life can also be intimate. And I realize that my parents will be as puzzled by my act of self-revelation as they are by the movie star’s revelations on the talk show. They never will call me cheap for publishing an autobiography. But I can well imagine their faces tightened by incomprehension as they read my words. (Why does he do this?)”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“I never forgot that schooling had irretrievably changed my family’s life. That knowledge, however, did not weaken ambition. Instead, it strengthened resolve. Those times I remembered the loss of my past with regret, I quickly reminded myself of all the things my teachers could give me. (They could make me an educated man.) I tightened my grip on pencil and books. I evaded nostalgia. Tried hard to forget. But one does not forget by trying to forget. One only remembers. I remembered too well that education had changed my family’s life. I would not have become a scholarship boy had I not so often remembered.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“Somehow the inclination to write about my private life in public is related to the ability to do so. It is not enough to say that my mother and father do not want to write their autobiographies. It needs also to be said that they are unable to write to a public reader. They lack the skill. Though both of them can write in Spanish and English, they write in a hesitant manner. Their syntax is uncertain. Their vocabulary limited. The man who sits in his chair so many hours, and the woman at the ironing board—‘keeping busy because I don’t want to get old’—will never be able to believe that any description of their personal lives could be understood by a stranger far from home.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“I was glad to get away from those students when I was awarded a Fulbright Fellowship to study in London. I found myself in the British Museum, at first content, reading English Renaissance literature. But then came the crisis: the domed silence; the dusty pages of books all around me; the days accumulating in lists of obsequious footnotes; the wandering doubts about the value of scholarship. My year in Britain came to an end and I rushed to ‘come home.’ Then quickly discovered that I could not. Could not cast off the culture I had assumed. Living with my parents for the summer, I remained an academic—a kind of anthropologist in the family kitchen, searching for evidence of our ‘cultural ties’ as we ate dinner together.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“To many persons around him, he appears too much the academic. There may be some things about him that recall his beginnings—his shabby clothes; his persistent poverty; or his dark skin (in those cases when it symbolizes his parents’ disadvantaged condition)—but they only make clear how far he has moved from his past. He has used education to remake himself. They expect—they want—a student less changed by his schooling. If the scholarship boy, from a past so distant from the classroom, could remain in some basic way unchanged, he would be able to prove that it is possible for anyone to become educated without basically changing from the person one was. The scholarship boy does not straddle, cannot reconcile, the two great opposing cultures of his life. His success is unromantic and plain. He sits in the classroom and offers those sitting beside him no calming reassurance about their own lives. He sits in the seminar room—a man with brown skin, the son of working-class Mexican immigrant parents.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“There is something called bilingual education—a scheme proposed in the late 1960s by Hispanic-American social activists, later endorsed by a congressional vote. It is a program that seeks to permit non-English-speaking children, many from lower-class homes, to use their family language as the language of school. (Such is the goal its supporters announce.) I hear them and am forced to say no: It is not possible for a child—any child—ever to use his family’s language in school. Not to understand this is to misunderstand the public uses of schooling and to trivialize the nature of intimate life—a family’s ‘language.’”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“But the bilingualists simplistically scorn the value and necessity of assimilation. They do not seem to realize that there are two ways a person is individualized. So they do not realize that while one suffers a diminished sense of private individuality by becoming assimilated into public society, such assimilation makes possible the achievement of public individuality. Supporters of bilingual education thus want it both ways. They propose bilingual schooling as a way of helping students acquire the skills of the classroom crucial for public success. But they likewise insist that bilingual instruction will give students a sense of their identity apart from the public. Behind this screen there gleams an astonishing promise: One can become a public person while still remaining a private person. At the very same time one can be both! There need be no tension between the self in the crowd and the self apart from the crowd! Who would not want to believe such an idea?”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“Courses were offered in such fields as nineteenth-century black history and Hispanic-American folk art. The activists made a peculiar claim for these classes. They insisted that the courses would alleviate the cultural anxiety of nonwhite students by permitting them to stay in touch with their home culture. The perspective gained in the classroom or the library does indeed permit an academic to draw nearer to and understand better the culture of the alien poor. But the academic is brought closer to lower-class culture because of his very distance from it. Leisured, and skilled at abstracting from immediate experience, the scholar is able to see how aspects of individual experience constitute a culture. By contrast, the poor have neither the inclination nor the skill to imagine their lives so abstractly.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“I did a piece about four years ago about coming out. Telling my parents that I'm gay. It occurred to me that my parents have known for years that I'm gay. I'm sure of it. They have never told me; they have never needed to tell me. In some ways I will never be gay to them. And they would prefer that I never use that word with them. They know the man that I have been closest to. They also know that he's godfather to two of my nephews. They invite him to Christmas dinner. They know he's part of my life. When he had the flu this Christmas they knew I had to leave early, and no one protested. Will he ever be introduced as my lover? No”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“In some way the Chicano movement strikes me as being revolutionary, but only in a pathetic way, because the genius of Mexico has always been assimilation. I tell Mexican American kids all the time—if I get a chance to talk to them without their teachers—that they come from a culture that violates borders. Kids are coming up every night across the border in violation of Protestant lines. These kids represent a force of anarchy in the world. We are not people of pure race. We are people of mixed race. We have violated those borders already. We are people whose identity assumes the continuousness of experience rather than the segregation of experience. I tell them to be proud of that experience. Don't say to the United States, "I want a separate math class in Spanish." That's not going to scare them. Instead, terrify America by saying, "I'm going to marry your daughter." Or see what happens to the Chicano movement when you announce to the blonde people next door, "I'm going to start dating your son," or "You're going to be my best friend," that "We're neighbors.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“A friend of mine in Brooklyn was talking about ethnic writers, and he was using Amy Tan as an example. And he said, "You know, the really interesting thing about ethnic writers in America right now is that the women sit down and tell these sets of interesting stories. Asian girl meets blonde boy and they go to Harvard together—they're dopey stories, but everybody loves them, and they're best sellers. That's what the women write, whereas the guys struggle and try to find these new literary forms—writing these intricate parables that nobody quite follows and so forth." **And he said, "Isn't it interesting that women have always had this kind of genius for telling stories in the kitchen."”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source
“I would meet screenwriters in L.A. who would write these very complicated sitcoms like Cheers and who'd have the most extraordinary sense of plot of anybody I've ever met. I saw the insides of lots of great houses. And I met people who you and I would regard as famous, and then realized some very interesting things about them, like how lonely they are. It was those years I was least a minority. In a sense, I owned the world. I owned it because I had certain charms that allowed me to insinuate myself into the world. Intellectually, it was very satisfying to be at the edge of this world. But when it became clear to me that I wanted to write this book, I had to divorce myself from that world and move to San Francisco.”
Richard Rodriguez (born 1944) wikiquote, CC BY-SA 4.0 source