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Peju Layiwola
52 quotes
“My focus on Benin history as it pertains the looting of its priced sacred objects began after two major international events I attended- first was the Benin travelling exhibition, “Benin Kings and Rituals: Court Arts from Nigeria” which was shown in Vienna, Paris, Berlin and Chicago between 2007 and 2009. I attended the opening and close of the exhibition in Vienna and Chicago. When I returned, I began to think of ways of engaging theme of looting patrimony and what it means for Nigeria in this global discourse on art. My exhibition titled, “Benin 1897.com: Art and the Restitution Question” (2010) emerged. I will consider this one of my most successful projects and a major contribution to documenting local art traditions and projecting the views of a colonised people deprived of their art on various platforms.”
Peju Layiwola (born 1967) wikiquote, CC BY-SA 4.0 source
“So we took a second look at the date and saw that 1914 was the year, His Royal Majesty, Oba Ovonramwen, king of Benin, who stood against British imperialism joined his ancestors. So, I came up with a public art concept to celebrate the culture, costumes, dances and art of the Benin people. The venue was Igun Street, in Benin City- the home and ateliers of the Benin traditional bronze casters. Many of the artists on this project have really become well known internationally. Jelili Atiku and Victor Ehikhamenor had shown at the 57th Biennale in Venice. Jude Anogwih, Wura-Natasha Ogunji, Andrew Eseibo, Ine Valle, Burns Effiom, Jumoke Verissimo and Taiye Idahor have continued to expand on their artistic practice.”
Peju Layiwola (born 1967) wikiquote, CC BY-SA 4.0 source