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Max Pechstein
14 quotes
“I was commissioned [in 1906] to do a ceiling-painting and an altar painting for the Saxon pavilion at the third German Arts and Crafts exhibition.. .I varied my tulips. But when I went in before the opening I was horrified to see that the fiery red had been toned down with streaks of grey.. .I gave furious vent to my feelings. Suddenly there was someone at my side, seconding my vituperation. It was Erich Heckel.. ..joyfully we discovered our total accord in the drive towards liberation, an art which charged forwards, unimpeded by conventions. And that was how I joined Die Brücke.”
Max Pechstein (1881–1955) said by 1955 at the latest wikiquote, CC BY-SA 4.0 source
Recorded in: Expressionism, ; Praeger Publishers, New York, 1973, p. 32-33
“We [the artists of Die Brücke ] were overjoyed to discover our complete unison in the urge for liberation, for an art surging forward, unrestricted by convention.”
Max Pechstein (1881–1955) first seen 1905 wikiquote, CC BY-SA 4.0 source
Recorded in: from a note of Pechstein; as quoted in Expressionism, a German Intuition, 1905-1920, [exhibition-catalogue 1980-81]; Paul Vogt, Horts Keller, Martin Urban, Wolf-Dieter Dube, and Eberhard Roters; Solomon R. Guggenheim Fo…
“Now I drew as wildly during my tramps [during his walks through the Saxonian countryside] as I has fought before. [in his early youth]”
Max Pechstein (1881–1955) said by 1955 at the latest wikiquote, CC BY-SA 4.0 source
Recorded in: As quoted in German Expressionist Painting, Peter Selz, University of California Press, 1974, p. 90
“We desire to achieve to the socialist republic not only the recovery of the conditions of art, but also the beginning of a unified artistic area for our time.”
Max Pechstein (1881–1955) said by 1955 at the latest wikiquote, CC BY-SA 4.0 source
Recorded in: As quoted in German Expressionist Painting, Peter Selz, University of California Press, 1974, p. 313
“A new day. Calm as seldom the beginning of such a one. Did I dream? No! Dream and contented pure was the night..”
Max Pechstein (1881–1955) said by 1955 at the latest wikiquote, CC BY-SA 4.0 source
“It is the sure certainty of having found unity with nature, this calm causes one of the strongest experiences.”
Max Pechstein (1881–1955) said by 1955 at the latest wikiquote, CC BY-SA 4.0 source
“Man, air, trees, world are laid bare and are one!”
Max Pechstein (1881–1955) said by 1955 at the latest wikiquote, CC BY-SA 4.0 source
“Contented sleep releases the limbs. We await full moon. Await the dance!”
Max Pechstein (1881–1955) first seen 1918 wikiquote, CC BY-SA 4.0 source
Recorded in: 4 short quotes of Max Pechstein, 1918, in Aus dem Palau-Tagebuch, 'Das Kunstblatt' 2, no. 6, p. 179; as cited in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays…
“In 1907 I was most strongly influenced by Giotto during my first Italian trip, as well as by Etruscan sculpture and the early Etruscan landscape painting in the Vatican library in Rome.”
Max Pechstein (1881–1955) first seen 1920 wikiquote, CC BY-SA 4.0 source
Recorded in: In his letter in 1920, to ; as quoted in Georg Biermann - Max Pechstein, Leipzig 1920, p. 14
“What a variety of shapes exists in the lithograph when one prepares the stone for printing, etches it, and prints oneself. Above all, one must do the printing oneself!”
Max Pechstein (1881–1955) first seen 1920 wikiquote, CC BY-SA 4.0 source
Recorded in: quote, c. 1920; in Buchheim, Künstlergemeinschaft Brücke, p. 303; as cited in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associ…
“It was and still is fundamental: to begin the work with the same tools with which it will be ended, without making a preliminary drawing. on the wood, stone, or metal. Sketches and drawings done in advance clarify the intention, and with it ready in the head, the requisite tool realizes the idea.”
Max Pechstein (1881–1955) said by 1955 at the latest wikiquote, CC BY-SA 4.0 source
Recorded in: Buchheim, Künstlergemeinschaft Brücke, p. 304; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles …
“..the unrelenting Berlin forced each one of us to struggle through on the most individual paths, so that our communal living [of 'Brücke', in 1913] fell apart. In addition, the knowledge of the individual members had developed so far that the individual form differed, although the overall goal of the group remained the same.”
Max Pechstein (1881–1955) said by 1955 at the latest wikiquote, CC BY-SA 4.0 source
Recorded in: a later quote of Pechstein; as quoted in Brücke und Berlin: 100 Jahre Expressionismus, ed. Anita Beloubek-Hammer; Nicolaische Verlagsbuchhandlung, Berlin 2005, p. 266 (transl. Claire Albiez)
“I would like to express my longing for happy experiences. I do not want us to be for ever regretting. Art has been and remains the part of my life that brings me happiness.”
Max Pechstein (1881–1955) said by 1955 at the latest wikiquote, CC BY-SA 4.0 source
Recorded in: as quoted by , in Expressionism, ; Praeger Publishers, New York, 1973, p. 89
“When we met in Berlin [1910], I arranged with Heckel and Kirchner that the three of us would go and work together on the lakes of Moritzburg near Dresden. We had long been familiar with the region, and we knew that we would have the opportunity tp paint nudes in the open air without interference.. .We had to find two or three people who were not professional models and would therefore pose for us without falling into studio routines.. ..we artists set out early every morning, laden with our equipment, followed by the models with bags full of good things toe at and drink. We lived in complete harmony, we worked and went swimming.. ..each of us [three] executed a great number of paintings and drawings.”
Max Pechstein (1881–1955) first seen 1910 wikiquote, CC BY-SA 4.0 source
Recorded in: Pechstein is recalling the Summer of 1910; as quoted in Expressionism, Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 30