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Joan Miró

27 quotes

“The plate that a peasant eats his soup out of is much more interesting to me than the ridiculously rich plates of rich people.”
Joan Miró (1893–1983) said by 1983 at the latest wikiquote, CC BY-SA 4.0 source
Recorded in: Art Is the Highest Form of Hope & Other Quotes by Artists by Phaidon (2016) p 181
“Let's transplant the primitive soul to the ultramodern New York, inject his soul with the noise of the subway, of the 'el', and may his brain become a long street of buildings 224 stories high. [Barcelona - Dada, 1917]”
Joan Miró (1893–1983) first seen 1917 wikiquote, CC BY-SA 4.0 source
Recorded in: In: a letter to Enric C. Ricart, 1 October 1917; as quoted in Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 47
“Down with the Mediterranean!”
Joan Miró (1893–1983) said by 1983 at the latest wikiquote, CC BY-SA 4.0 source
Recorded in: In: Calder Miro, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 32
“..wherever you are, you find the sun, a blade of grass, the spirals of the dragonfly. Courage consists of staying at home, close to nature, which could not care less about our disasters. Each grain of dust contains the soul of something marvellous. [Miró admonished art-critic w:Georges Duthuit ]”
Joan Miró (1893–1983) first seen 1936 wikiquote, CC BY-SA 4.0 source
Recorded in: In: 'Où allez-vous Miró?' (Where do you go, Miró), Georges Duthuit in Cahiers d'Art 11, nos. 8-10, 1936
“..something as sensational as [a] heavy weight prize fight.. ..a rain of swings, uppercuts, and straight right and lefts to the stomach and everywhere throughout the entire event – a round lasting about twenty minutes. [remark on a ballet Miro planned to, c. 1930]”
Joan Miró (1893–1983) said by 1983 at the latest wikiquote, CC BY-SA 4.0 source
Recorded in: Quote of Miró in 'Bravo' Barcelona 1994; as cited in Calder Miro, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 37
“We see ourselves confronted with pure abstraction. Small problems and highly obscure subjects are, if you will, always grand in intention, and the layman would casually and quite undisparagingly trample on them if they were to serve as carpet motifs.”
Joan Miró (1893–1983) first seen 1933 wikiquote, CC BY-SA 4.0 source
Recorded in: in a review of his Bernheim show, G. J. Gros, Fall 1933; as quoted in Calder Miro, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 81 note 10
“I have thought a lot about the question of titles. I must confess that I find any for works that take off from an arbitrary starting point and end with something real.. ..[Miro allowed Pierre Matisse to make titles, based on the] real things.. ..[if they do] not evoke some tendency or other, something I want to avoid completely [very probably Miro meant here: the Surrealists ]. [advising Pierre Matisse; who showed then several modern European painters in New York].”
Joan Miró (1893–1983) first seen 1934 wikiquote, CC BY-SA 4.0 source
Recorded in: In a letter to his art-seller Pierre Matisse, 12 October 1934; as quoted in Calder Miro, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 82, note 24
“Childhood and magic are married in this poem inscribed in infinity, like traces on walls or cracks in venerable walls, superimposed posters lacerated by wind, rain and poetry; calligraphy and ideograph intermerge in this equation.. ..in this sign.”
Joan Miró (1893–1983) first seen 1936 wikiquote, CC BY-SA 4.0 source
Recorded in: In: a letter to art-seller in New York Pierre Matisse, [son of Henri Matisse, 19 February 1936]; the Pierre Matisse Gallery Archives, The Pierpont Morgan Library, New York MA 5020
“Have you ever heard of anything more stupid than 'abstraction-abstraction'? and they ask me into their deserted house [probably Miro meant the group 'Abstraction-Création', founded by a. o. Jean Arp and André Breton; both coined Miro's art in 1931 as 'mobile' and 'stabile'] as if the marks I put on a canvas did not correspond to a concrete representation of my mind, did not possess a profound reality, were not a part of the real itself.”
Joan Miró (1893–1983) first seen 1936 wikiquote, CC BY-SA 4.0 source
Recorded in: In: 'Où allez-vous Miró?', art critic Georges Duthuit in Cahiers d'Art 261, nos. 8-10, 1936
“And then, as you can see, I give greater and greater importance to the materials I use in my work [c. 1936]. A rich and vigorous material seems necessary to me in order to give the viewer that smack in the face that must happen before reflection intervenes. In this way, poetry is expressed through a plastic medium, and it speaks its own language.”
Joan Miró (1893–1983) first seen 1936 wikiquote, CC BY-SA 4.0 source
Recorded in: In: 'Où allez-vous Miro?', Georges Duthuit in Cahiers d'Art 11, nos. 8-10, 1936
“Picasso was wild about it and said it was one of the best things I have ever made. [on Miro's exhibition in Paris, 1938 where he showed a big frieze, made for a children's room; commissioned by art-dealer Pierre Matisse in New York]”
Joan Miró (1893–1983) said by 1983 at the latest wikiquote, CC BY-SA 4.0 source
Recorded in: In: Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 76
“to try also, inasmuch as possible, to go beyond easel painting, which in my opinion has a narrow goal, and to bring myself closer, through painting, to the human masses I have never stopped thinking about.”
Joan Miró (1893–1983) first seen 1938 wikiquote, CC BY-SA 4.0 source
Recorded in: In: 'Je rêve d'un grand atelier', Miro 1938; as quoted in Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 65
“How did I think up my drawings and my ideas for painting? Well I'd come home to my Paris studio in Rue Blomet at night, I'd go to bed, and sometimes I hadn't any supper. I saw things, and I jotted them down in a notebook. I saw shapes on the ceiling..”
Joan Miró (1893–1983) said by 1983 at the latest wikiquote, CC BY-SA 4.0 source
“[to] think, in a certain way, of the power and severity of Romanesque paintings.. .Go to the beach and make graphic signs in the sand, draw by pissing on the dry ground, design in space by recording the songs of the birds, the sounds of water and wind.. ..and the chant of insects.”
Joan Miró (1893–1983) first seen 1940 wikiquote, CC BY-SA 4.0 source
Recorded in: 'Working notes of Miro, 1940 – 1941'; as quoted in: Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 69
“[the canvas..] rubbing in with a handful of straw, with a rag, a scrubbing brush, a Majorcan brush for applying white, with the hand, etc.. .. [a drawing in a] gigantic rhythm like that of a waterfall cascading down a mountainside.. ..[works based on] pure signs begun in Varensgeville and finished in Palma.. ..[with a picture ground of] blue vitriol [a pesticide] that they use for the vines and that splashes against the walls of the farmhouse.. [Miro describes his 'attacks' on the canvas].”
Joan Miró (1893–1983) first seen 1941 wikiquote, CC BY-SA 4.0 source
Recorded in: 'Working notes, 1941 – 1942'; as cited in Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 69
“I was very interested in the reproductions of your [ Calder's ] sculptures. I have looked at them many times [Calder sent him], and they are something completely unexpected. You are taking a path full of great possibilities. Bravo! Sculpture is of enormous interest to me right now. For the last two years [1944-46], during summer vacation, that's all I have been doing and it's very good for a painter to get away from the old story of canvas and frame every now and again.”
Joan Miró (1893–1983) first seen 1946 wikiquote, CC BY-SA 4.0 source
Recorded in: In a letter to his friend Calder, Barcelona, 18 March 1946; as quoted in Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 268
“The spectacle of the sky overwhelms me. I'm overwhelmed when I see, in an immense sky, the crescent of the moon, or the sun. There, in my pictures, tiny forms in huge empty spaces. Empty spaces, empty horizons, empty plains - everything which is bare has always greatly impressed me.”
Joan Miró (1893–1983) first seen 1958 wikiquote, CC BY-SA 4.0 source
Recorded in: from: English Wikipedia, Joan Miró, 1958, as quoted in Twentieth-Century Artists on Art, ed. Dore Ashton, 1986
“Painting must be fertile. It must give birth to a world.. ..it must fertilize the imagination.”
Joan Miró (1893–1983) first seen 1959 wikiquote, CC BY-SA 4.0 source
Recorded in: from: Taillandier, 1959; as quoted in Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 82, note 24
“I try to apply colors like words that shape poems, like notes that shape music.”
Joan Miró (1893–1983) said by 1983 at the latest wikiquote, CC BY-SA 4.0 source
Recorded in: from: Joan Miro: Selected Writings and Interviews, M.Rowell, Thames and Hudson, 1987
“I begin my work under the effect of shock, which I can sense and which gets me on the run from reality.. .In any case, I need a starting point, even if it’s just a speck of dust or a gleam of light.”
Joan Miró (1893–1983) said by 1983 at the latest wikiquote, CC BY-SA 4.0 source
Recorded in: In: On the Readability of Signs; Miro's path from Mysterious to Comic Pictorial signs, Sylvia Martin; Düsseldorf 2002, p. 67
“To gain freedom is to gain simplicity.”
Joan Miró (1893–1983) said by 1983 at the latest wikiquote, CC BY-SA 4.0 source
“Thirty five years ago.. ..Sandy [Alexander Calder, and his wife] Louisa came to see me at Montroig, where I conceived the farm [Montroig in Spain, where Miro had a farm in the 1930s], where the trees, the mountains, the sky, the house, the vineyards, have remained the same. There where the mules have always eaten carobs, and where we have the same warming red wine. Well then, one day I invited all my neighbours, the farmers and workmen of the district to see the Circus that Calder had brought. Everyone was transfixed and totally overwhelmed by it.”
Joan Miró (1893–1983) said by 1983 at the latest wikiquote, CC BY-SA 4.0 source
“Quote of Miró on a visit of Calder who brought with him the small mechanical circus made from wire: a letter by Miro, 17 March 1964 / Correspondence 61; as cited in Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 33”
Joan Miró (1893–1983) said by 1983 at the latest wikiquote, CC BY-SA 4.0 source
“When I first saw Calder's art very long ago [c. 1928 in Paris, Miro saw Calder performing his mechanical 'Circus' for the Paris' art scene, all puppets made from metal wire and wood] I thought it was good, but not art.”
Joan Miró (1893–1983) first seen 1969 wikiquote, CC BY-SA 4.0 source
Recorded in: In: 'New York Times', 3 April 1969
“Your face had become dark, and, upon the day's awakening, your ashes will disperse themselves throughout the garden.”
Joan Miró (1893–1983) first seen 1977 wikiquote, CC BY-SA 4.0 source
Recorded in: In: his 'Foreword', Barcelona 1977; as quoted in Calder Miro, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 309
“In the current struggle I see the antiquated forces of fascism on one side, and on the other, those of the people, whose immense creative resources will give Spain a drive that will amaze the world.”
Joan Miró (1893–1983) first seen 1978 wikiquote, CC BY-SA 4.0 source
Recorded in: In: Revelations', Luis Permanyer, April 1978; as quoted in Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 81 note 10
“Decoration. Very rapidly executed, at one go, spontaneously [reflection of making a mural on the site for the terrace plaza hotel in Cincinnati]. What takes a long time in my case is the work of silent reflection; it is impossible for me to predict the duration of this preparatory period. You have to keep in mind that it is by no means a matter of just doing a large picture, and though it will not be possible to paint a true mural by attacking the wall directly, in fresco, to do so will require persistence while maintaining, as much as possible, the spirit of the great tradition of mural painting. I shall have to go to Cincinnati in advance as soon as I can, to view the architecture and its environs, because otherwise I would only create an easel painting in large format.”
Joan Miró (1893–1983) first seen 1946 wikiquote, CC BY-SA 4.0 source
Recorded in: In a letter to Pierre Matisse, 26 January 1946; as quoted in Calder Miro, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 70