
Famous quotes
Quotes by famous people, credited to who said them. Your own quotes must not match any of these. More are added all the time. 1,158,808 quotes Who coined it · How we decide
EnglishItalianoPolskiעבריתFrançaisPortuguêsفارسیEspañol中文РусскийDeutschالعربيةहिन्दी日本語ΕλληνικάLatina
Jacoba van Heemskerck
18 quotes
“Nothing special is happening here in the paintersworld [of the Netherlands]; everything stays firmly the same. (translation, Fons Heijnsbroek, 2018)”
Jacoba van Heemskerck (1876–1923) first seen 1913 wikiquote, CC BY-SA 4.0 source
Recorded in: letter to , 9 March 1913; RKD-Archive, The Hague; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme (= Woman-artist in Expressionism), Haags Gemeentemuseum The Hague, 1982, p.…
“The country [ Brittany ] is very beautiful and painterly one see stimulating color tones; but the more abstract one works, the more one transforms the sketch into combinations. (translation from German, Fons Heijnsbroek, 2018)”
Jacoba van Heemskerck (1876–1923) first seen 1914 wikiquote, CC BY-SA 4.0 source
Recorded in: note on a postcard to Herwarth Walden [initiator of Der 'Sturm' in Germany], 14 May 1914; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 19…
“That's the way it goes, you know, I'm always dissatisfied and always I want to go on. (translation from German, Fons Heijnsbroek, 2018)”
Jacoba van Heemskerck (1876–1923) first seen 1914 wikiquote, CC BY-SA 4.0 source
Recorded in: in a letter to Herwarth Walden, 1 June 1914; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 19
“It is a terrible, but also tremendous time. Personally I find it moreover so important for my art to live now.. .These times force you to think over a lot and work very hard, in Nature now a strong creative force is working. (translation from German, Fons Heijnsbroek, 2018)”
Jacoba van Heemskerck (1876–1923) first seen 1914 wikiquote, CC BY-SA 4.0 source
Recorded in: In a letter of Jacoba, late 1914; as cited by A. Behne, in 'der Krieg und die künstlerische Produktion', in 'Die Umschau', Jan / März 1915
“I was in Rotterdam, but the exhibition there was horrible. Le Fauconnier has nothing to tell anymore. He has a dirty color now and has become a real academic. Mondrian is completely frozen, no poetry at all anymore. It's terrible that these people can not reach further with great ideals. To my taste paints far too much naturalistic. A big difference, these three, compared to [[w:Franz Marc|[Franz] Marc]], Kandinsky, Filla etc.. (translation from German, Fons Heijnsbroek, 2018)”
Jacoba van Heemskerck (1876–1923) first seen 1915 wikiquote, CC BY-SA 4.0 source
Recorded in: in a letter to Herwarth Walden, 9 Feb. 1915; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 13
“As an artist you can not stand for long in The Netherlands. You must see a lot and talk a lot about everything.. (translation from German, Fons Heijnsbroek, 2018)”
Jacoba van Heemskerck (1876–1923) first seen 1915 wikiquote, CC BY-SA 4.0 source
Recorded in: note on a postcard to Herwarth Walden, 17 May 1915; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 12
“Once again I talked with some painters, but the modern artists [in The Netherlands ] write more than they paint. If you write about art in such a way and you want to paint always with a fixed plan, then you will lose completely the deep, glorious and spontaneous art. You always have to create the new from the very deep, inside. (translation from German, Fons Heijnsbroek, 2018)”
Jacoba van Heemskerck (1876–1923) first seen 1915 wikiquote, CC BY-SA 4.0 source
Recorded in: in a letter to Herwarth Walden, 23 July 1915; the 'Sturm'-Archive, Berlin; as cited in 'Sturm edition', Abteilung 1. Briefe
“All men forget that colors have to radiate to give the big [spiritual] expression. (translation from German, Fons Heijnsbroek, 2018)”
Jacoba van Heemskerck (1876–1923) first seen 1876 wikiquote, CC BY-SA 4.0 source
Recorded in: In her letter of 7 Jan. 1916; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90-400-9064-5); Waanders, Zwolle, 2005, p. 193
“This evening the Anthroposophical Society invited me to give a lecture about modern art, on 13 March. They start to wake up here [in the Netherlands].. .Please, tell me something, what I should emphasize, what you find most important. I shall also read something from 'The Spiritual in Art' by Kandinsky.. .But we still have other views on the whole, isn't it. I don't always agree with Kandinsky, and often more with your views. So please write a little much.. .You know, for me it is always easier to paint my principles. (translation from German, Fons Heijnsbroek, 2018)”
Jacoba van Heemskerck (1876–1923) first seen 1916 wikiquote, CC BY-SA 4.0 source
Recorded in: in a letter to Herwarth Walden, 28 Feb. 1916; from the 'Sturm'-Archive, Berlin
“Every day I am thinking about the Art school [which Walden wants to start in Germany, since 1915-16].. .If our pursuit is really to make great progress in future, the Art school must produce individualities who can with our assist really continue from their inside and start creating on their own, without always studying the pictures of other artists. (translation from German, Fons Heijnsbroek, 2018)”
Jacoba van Heemskerck (1876–1923) first seen 1915 wikiquote, CC BY-SA 4.0 source
Recorded in: (original version, written by Jacoba in German:) Ich denke immer viel über die Kunstschule nach [ die Walden seit 1915/16 anfangen möchte].. .Wenn unser Streben wirklich in der Zukunft grosse Fortschritte machen soll, m…
“I got the idea to paint people, in the way I see them. From one face I take to my own idea some very characteristic features of it and then I make of the whole a picture in colors and lines, in the way how I meet that person. The whole thing becomes not at all a portrait in the usual sense.. .I have tried to make types, but will built in more and more personal qualities and all that kind of things.. .Everything will be figured out fully abstract of course, it is just a personal feeling and no system at all. (translation from German, Fons Heijnsbroek, 2018)”
Jacoba van Heemskerck (1876–1923) first seen 1918 wikiquote, CC BY-SA 4.0 source
Recorded in: in a letter to Herwarth Walden, 6 Feb. 1918; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 20
“Again I only gave numbers [of her art-works, she sent for the next Sturm-exhibition]. I stick to my idea of not giving titles. ..Titles are really disgusting romantic, and now in a while people will have hundreds of Spring's, Summers, Trees [paintings], to Liebknecht, Eberts, etc.. Above everything color and line have their own specific language, which doesn't want to be captured in a title. (translation from German, Fons Heijnsbroek, 2018)”
Jacoba van Heemskerck (1876–1923) first seen 1912 wikiquote, CC BY-SA 4.0 source
Recorded in: in a letter to Herwarth Walden, 14 Jan. 1920; as cited in the catalogue Der Sturm, Herwarth Walden und die Europäische Avantgarde, Berlin 1912-1932 Taschenbuch – 1961
“..I am so often showing my work in Germany that I belong to the German moderns.. .I openly want to confess you that I don't value the new painting in my home country very much. That is why I don't have a lot of acquaintances among the painters. Everything here is so little progressive. People's life is to easy here. It is very difficult to keep wide-awake since all are sleeping here. I feel much more at home in Germany. (translation from Dutch, Fons Heijnsbroek, 2018)”
Jacoba van Heemskerck (1876–1923) first seen 1876 wikiquote, CC BY-SA 4.0 source
Recorded in: Quote of Jacoba van Heemskerck, in a letter of June 1921 to prof , Stuttgart Germany; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90…
“For you it must be a great satisfaction that you have done so much for modern art. If Der Sturm had not worked like this for ten years then Germany would not have been at the forefront of the movement. (translation from Dutch, Fons Heijnsbroek, 2018)”
Jacoba van Heemskerck (1876–1923) first seen 1876 wikiquote, CC BY-SA 4.0 source
Recorded in: In her letter to Herwarth Walden, 24 August 1921; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90-400-9064-5); Waanders, Zwolle, 2005…
“Here [in the Netherlands] there is absolutely nothing, nowhere and permanently committees to deliver the visual artists some money, since all are hungry. It is such a difficult time for Holland. I had flu, I was very sick and I am still too weak to work. (translation from Dutch, Fons Heijnsbroek, 2018)”
Jacoba van Heemskerck (1876–1923) first seen 1876 wikiquote, CC BY-SA 4.0 source
Recorded in: In her letter to Herwarth Walden, 17 Feb. 1922; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90-400-9064-5); Waanders, Zwolle, 2005, …
“I work a lot and I think a lot. I really want to try to paint on glass. .Please will you ask him [mr. architect Taut ] if there are any transparent colors, which one can use to paint on the glass directly.. .I want to dispose of a new technique in which the artist can paint on the glass directly instead of canvas. When one wants to reach colors spiritually-bright, then a time will come that oil-paint and canvas are no longer suitable.. .So, if you have time, please ask Mr. Taut if he understands my view and maybe he knows the ways how I can follow my direction. (translation from German, Fons Heijnsbroek, 2018)”
Jacoba van Heemskerck (1876–1923) first seen 1914 wikiquote, CC BY-SA 4.0 source
Recorded in: in a letter to Herwarth Walden, 11 Nov. 1914; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 19
“On the whole [the alignment of a series of stained glass windows with the interior of a villa in The Hague] I have thought about all the time.. .I want to focus more on the architecture of the interior in general and that should we do together [with architect Buys].. .Now I was already thinking, the enormous color effect that the window will generate - and that will certainly become powerful - must be accompanied with strong colors - the hall -, otherwise the window itself will be too much isolated. For instance the staircase, could it be painted in strong colors and not [in] oak.. ..deep ultramarine blue or green, with a beautiful colorful carpet.. ..I feel I must make designs for carpets, to create in that way a beautiful unity with the stained glass as a whole. (translation from Dutch, Fons Heijnsbroek, 2018)”
Jacoba van Heemskerck (1876–1923) first seen 1920 wikiquote, CC BY-SA 4.0 source
Recorded in: Quote in een brief van Jacoba aan , 28 April 1920 in archief N.D.B., Amsterdam; as cited by Herbert Henkels, in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 42
“I don't understand how many painters can be so short-sighted to value art from earlier periods as completely worthless. Every art is an expression of an era and only for that reason already it is interesting. A Rembrandt has gone other ways, but he has certainly also pursued the highest goals. That one can assert: it is not necessary for a painter to have an impression when he is painting an Image, is nonsense. Certainly an artist, if he is really an artist, always has an inner urge to create an Image and thus sees an impression for himself that he may not always be able to explain, because deeper feelings are very difficult to grasp in words, but he has an impression - otherwise he only makes paintings as pure brain work. And intellectual art I can't bear. You can not make abstract art as something on its own. One feel various forms in their inner coherence. For example: when reading a fairy tale I can get the idea to paint a forest in completely abstract forms with motifs of trees. Every abstract form has an inner meaning for me. (translation from Dutch, Fons Heijnsbroek, 2018)”
Jacoba van Heemskerck (1876–1923) first seen 1876 wikiquote, CC BY-SA 4.0 source
Recorded in: Quote of Jacoba van Heemskerck in her letter of 1 May 1920, to Gustave Bock in Giessen, Germany; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis)…