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Germaine Greer
59 quotes
“Sexism is here a misleading name for misogyny, which is distrust, hatred and contempt of women. And it's not just men who feel these feelings and act on them. Women persecute other women, humiliate them and discriminate against them. They may not grab their tits or threaten to rape them; women have more effective ways of doing other women in. "Horizontal hostility", another gem from the Flo Kennedy thesaurus, is a by-product of oppression. Oppressed people don’t dare denounce the actual oppressor; instead they betray the people alongside them. They see their shared suffering as the consequence of a defect within themselves. What should be anger becomes guilt and self-blame. This process can be discerned clearly and repeatedly in the caseload of the Everyday Sexism project. Though much of what is reported is criminal behaviour and not normalised at all, as the victims persist in imagining that whatever happened was their fault, there can be no access to redress. They should be furious but are terrified and ashamed instead. As long as a rape victim is considered to need anonymity, she is expected to shoulder shame and self-hatred as a consequence of someone else’s behaviour. Enough. Enough. Simply coughing up outrage into a blog will get us nowhere.”
Germaine Greer (born 1939) first seen 2014 wikiquote, CC BY-SA 4.0 source
Recorded in: Germaine Greer: the failures of the new feminism", New Statesman (14 May 2014, updated 2 June 2014)
“With them she can discover cooperation, sympathy and love. The end cannot justify the means: if she finds that her revolutionary way leads only to further discipline and continuing incomprehension, with their corollaries of bitterness and diminution, no matter how glittering the objective which would justify it, she must understand that it is a wrong way and an illusory end. The struggle which is not joyous is the wrong struggle. The joy of the struggle is not hedonism and hilarity, but the sense of purpose, achievement and dignity which is the reflowering of etiolated energy. Only these can sustain her and keep the flow of energy coming. The problems are only equalled by the possibilities: every mistake made is redeemed when it is understood. The only ways in which she can feel such joy are radical ones: the more derided and maligned the action that she undertakes, the more radical.”
Germaine Greer (born 1939) wikiquote, CC BY-SA 4.0 source
“The fear of freedom is strong in us. We call it chaos or anarchy, and the words are threatening. We live in a true chaos of contradicting authorities, an age of conformism without community, of proximity without communication. We could only fear chaos if we imagined that it was unknown to us, but in fact we know it very well. It is unlikely that the techniques of liberation spontaneously adopted by women will be in such fierce conflict as exists between warring self-interests and conflicting dogmas, for they will not seek to eliminate all systems but their own. However diverse they may be, they need not be utterly irreconcilable, because they will not be conquistatorial.”
Germaine Greer (born 1939) wikiquote, CC BY-SA 4.0 source
“By 1627 Judith Leyster was famous enough to be mentioned in Ampzing's description of the city of Haarlem; by 1661 she had been so far forgotten that De Bie does not mention her in his Golden Cabinet. Her eclipse by Frans Hals may have begun in her own lifetime, as a consequence of her marriage to Molenaer perhaps, for Sir Luke Schaub acquired the painting now known as The Jolly Companions as a Hals in Haarlem in the seventeenth century. If Judith Leyster had not been in the habit of signing her work with the monogram JL attached to a star, a pun on the name her father had taken from his brewery, Leyster or Lodestar, her works might never have been reattributed to her: few paintings can boast of a provenance as clear as that of The Jolly Companions. As a result of the discovery that The Jolly Companions bore Leyster's monogram, the English firm which had sold the painting to Baron Schlichting in Paris as a Hals attempted to rescind their own purchase and get their money back from the dealer, Wertheimer, who had sold it to them for £4500 not only as a Hals but "one of the finest he ever painted." Sir John Millars agreed with Wertheimer about the authenticity and value of the painting. The special jury and the Lord Chief Justice never did get to hear the case, which was settled in court on 31st May 1893, with the plaintiffs agreeing to keep the painting for £3500 plus £500 costs. The gentlemen of the press made merry at the experts' expense, for all they had succeeded in doing was in destroying the value of the painting. Better, they opined, to have asked no questions. At no time did anyone throw his cap in the air and rejoice that another painter, capable of equalling Hals at his best, had been discovered.”
Germaine Greer (born 1939) wikiquote, CC BY-SA 4.0 source
“While young fools of my generation produced terrifying symptoms by ingesting poisons of various synthetic kinds, I was taken to extraordinary realms by a bacillus carried from human excrement by a fly's foot. I swelled to the size of a mountain and shrank to the size of a pin, flew and sang and fell through exotic configurations, in the intervals between agonizing convulsions on the heavy earthenware vaso, whose lethal contents I had to dispose of in the fields when the fever subsided. When the burning and shivering stopped and I could see again only what was there, I stayed enthralled by clarity. There was nothing to me in biochemical mindbending or bullshit psychedelia that did not have the slimy scent of death about it. I hated being out of touch, isolated by the solipsism of delirium, unable to communicate or comprehend.”
Germaine Greer (born 1939) wikiquote, CC BY-SA 4.0 source
“Compulsory motherhood is not ennobling, although the friends of the foetus are at pains to point out that most women denied abortions end up loving their issue just the same. Whether they love them just the same as they would have if they had wanted them is of course unverifiable; most women are not so perverse and unjust as to punish their children for the crimes of society (their fathers), but the oppression of their circumstances is real notwithstanding. For the oppressors themselves to take credit for the women's magnanimity is sickeningly smug. The compelled mother loves her child as the caged bird sings. The song does not justify the cage nor the love the enforcement.”
Germaine Greer (born 1939) first seen 1972 wikiquote, CC BY-SA 4.0 source
Recorded in: Abortion ii" (21 May 1972), p. 115
“Doctors, lawyers and even accountants have always understood that they would have to stand firm, functioning as a solid group protecting its own expertise and hence its earning capacity, from the tendency of all merchants to buy cheap and sell dear. They made of their special knowledge a rare and valuable commodity, insisted on a mystique and protected each other by an immovable professional code. They were cynical enough to know that if they were once cast in the role of public martyrs, working harder and more generously than most other groups of workers, they would be left with nothing but masochism, exhaustion and despair to show for it. Like successful trade unions, who have always worked on the principle that the job is worth whatever you can force the employer to pay for it and not a penny more or less, they understood that nobody was going to pay them their fees out of gratitude, that if they left it to the man whose life they had saved to pay them what he thought fit, they would wind up with half an old penny.”
Germaine Greer (born 1939) wikiquote, CC BY-SA 4.0 source
“In the nuclear family the child is confronted by only two adults contrasted by sex. The tendency towards polarization is unavoidable. The duplication of effort in the nuclear family is directly connected to the family's role as the principal unit of consumption in consumer society. Each household is destined to acquire a complete set of all the consumer durables considered necessary for the good life and per caput consumption is therefore maintained at its highest level. In sex, as in consumption, the nuclear family emphasizes possession and exclusivity at the expense of the kinds of emotional relationships that work for co-operation and solidarity.”
Germaine Greer (born 1939) first seen 1985 wikiquote, CC BY-SA 4.0 source
Recorded in: Women and power in Cuba" (1985), p. 271
“This sequel to The Female Eunuch is the book I said I would never write. I believed that each generation should produce its own statement of problems and priorities, and that I had no special authority or vocation to speak on behalf of women of any but my own age, class, background and education. For thirty years I have done my best to champion all the styles of feminism that came to public attention because I wanted it to be clear that lipstick lesbianism and the prostitutes’ union and La Leche and the Women’s League for Peace and Freedom and pressure for the ordination of women were aspects of the same struggle towards awareness of oppression and triumph over it. Though I disagreed with some of the strategies and was as troubled as I should have been by some of the more fundamental conflicts, it was not until feminists of my own generation began to assert with apparent seriousness that feminism had gone too far that the fire flared up in my belly. When the lifestyle feminists chimed in that feminism had gone just far enough in giving them the right to "have it all", i-e., money, sex and fashion, it would have been inexcusable to remain silent.”
Germaine Greer (born 1939) wikiquote, CC BY-SA 4.0 source