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Ernest Hemingway
254 quotes
“The house was built on the highest part of the narrow tongue of land between the harbor and the open sea. It had lasted through three hurricanes and it was built solid as a ship. It was shaded by tall coconut palms that were bent by the trade wind and on the ocean side you could walk out of the door and down the bluff across the white sand and into the Gulf Stream. The water of the Stream was usually a dark blue when you looked out at it when there was no wind. But when you walked out into it there was just the green light of the water over that floury white sand and you could see the shadow of any big fish a long time before he could ever come in close to the beach. It was a safe and fine place to bathe in the day but it was no place to swim at night. At night the sharks came in close to the beach, hunting at the edge of the Stream, and from the upper porch of the house on quiet nights you could hear the splashing of the fish they hunted and if you went down to the beach you could see the phosphorescent wakes they made in the water. At night the sharks had no fear and everything else feared them. But in the day they stayed out away from the clear white sand and if they did come in you could see their shadows a long way away.”
Ernest Hemingway (1899–1961) said by 1961 at the latest wikiquote, CC BY-SA 4.0 source
“It was strange going back to Spain again: I had never expected to be allowed to return to the country that I loved more than any other except my own and I would not return so long as any of my friends there were in jail. But in the spring of 1953 in Cuba I talked with good friends who had fought on opposing sides in the Spanish Civil War about stopping in Spain on our way to Africa and they agreed that I might honorably return to Spain if I did not recant anything that I had written and kept my mouth shut on politics. There was no question of applying for a visa. They were no longer required for American tourists.”
Ernest Hemingway (1899–1961) said by 1961 at the latest wikiquote, CC BY-SA 4.0 source
“Any man can face death but to be committed to bring it as close as possible while performing certain classic movements and do this again and again and again and then deal it out yourself with a sword to an animal weighing half a ton which you love is more complicated than just facing death. It is facing your performance as a creative artist each day and your necessity to function as a skillful killer. Antonio had to kill quickly and mercifully and still give the bull one full chance at him when he crossed over the horn at least twice a day. Everyone in bullfighting helps everyone else in bullfighting in the ring. In spite of all rivalries and hatreds it is the closest brotherhood there is. Only bullfighters know the risks they run and what the bull can do with his horns to their bodies and their minds.”
Ernest Hemingway (1899–1961) said by 1961 at the latest wikiquote, CC BY-SA 4.0 source
“A bullfighter can never see the work of art that he is making. He has no chance to correct it as a painter or writer has. He cannot hear it as a musician can. He can only feel it and hear the crowd's reaction to it. When he feels it and knows that it is great it takes hold of him so that nothing else in the world matters. All the time that he is making his work of art he knows that he must keep within the limits of his skill and his knowledge of the animal. Those matadors are called cold who visibly show that they are thinking of this. Antonio was not cold and the public belonged to him now. He looked up at them and let them know, modestly but not humbly, that he knew it and as he circled the ring with the ear in his hand he looked at the different segments of Bilbao, a city that he loved, as they stood up as he passed and was happy that he owned them.”
Ernest Hemingway (1899–1961) said by 1961 at the latest wikiquote, CC BY-SA 4.0 source