Famous quotes

Quotes by famous people, credited to who said them. Your own quotes must not match any of these. More are added all the time. 1,158,269 quotes Who coined it · How we decide

English Italiano Polski עברית Français Português فارسی Español 中文 Русский Deutsch العربية हिन्दी 日本語 Ελληνικά Latina

Edwidge Danticat

72 quotes

“The greatest gift anyone can give to a writer is time”
Edwidge Danticat (born 1969) first seen 2010 wikiquote, CC BY-SA 4.0 source
Recorded in: 2010 interview included in Conversations with Edwidge Danticat edited by Maxine Lavon Montgomery (2017)
“in terms of being immigrants, especially from a place like Haiti, when we see — you know, we see the cholera, we see the earthquake. I think people forget that there’s also this wonderful and powerful history of revolt, of resilience, of resistance, and this wonderful art that’s followed in its wake that has this great beauty to offer to the world.”
Edwidge Danticat (born 1969) first seen 2010 wikiquote, CC BY-SA 4.0 source
Recorded in: interview with Democracy Now (2010)
“I just fell in love with the idea of writing about the sea, and there are many proverbs the sea in Haitian Creole. You know, one is ... 'The sea doesn't hide dirt,' and proverbs about, you know, 'My back is as large as the sea,' which is something you say if people start talking badly about you. And, of course, for a lot of people in terms of migration, the sea is also the way out. So, you have an island and you have the sea, and it's extraordinarily fascinating to me.”
Edwidge Danticat (born 1969) first seen 2013 wikiquote, CC BY-SA 4.0 source
Recorded in: Interview with NPR (2013)
“Create Dangerously was about giving myself permission. There are people who come into writing emboldened and formed. I wasn't like that. I had to give myself permission. People asked me, "Well, what do you know of Haiti? What do you know of America?" I learned to give myself permission, that this is a worthwhile endeavor, that I would fail sometimes, it would work sometimes, but like Maya Angelou says, that place had been earned for me. All I had to do was claim it.”
Edwidge Danticat (born 1969) first seen 2014 wikiquote, CC BY-SA 4.0 source
Recorded in: 2014 interview included in Conversations with Edwidge Danticat edited by Maxine Lavon Montgomery (2017)
“Along with plot, I am always thinking about structure. Sometimes the story guides you to the best structure for its telling. Using letters seemed like the best way to tell this story. When writing these letters, the characters are selecting what they want to tell. In this case, the woman is writing in a way that would not endanger her or her family if her letters were found by the military authorities who took over the country, and the man is writing with the urgency of someone who could die at any minute while at sea.”
Edwidge Danticat (born 1969) first seen 2018 wikiquote, CC BY-SA 4.0 source
Recorded in: On using an epistolary form for her short story “Children of the Sea” in “An Interview | Edwidge Danticat” in The Brooklyn Review (Fall 2018)
“In some of the earlier work, I liked to keep readers guessing: one story asked a question, and another resolved it. For the stories I’m working on now—both the new ones and the older ones I’m revisiting—I want to wring everything out. That way, I don’t have to write separate stories for every character who surprises me.”
Edwidge Danticat (born 1969) first seen 2018 wikiquote, CC BY-SA 4.0 source
Recorded in: On how her short story writing style has evolved in “An Interview | Edwidge Danticat” in The Brooklyn Review (Fall 2018)
“It wasn't easy, but it was the lot of so many of us, and even in the house where I was growing up, my aunt and uncle were looking after my cousins whose mother was in Canada, and another cousin whose father was in the Dominican Republic. And our parents had made this choice so that we could have a better life. You know, they could have either stayed with us and struggled and tried to make a living, or they thought that they could carve out a future for us by going abroad and leaving us behind, and then later sending for us…”
Edwidge Danticat (born 1969) first seen 2019 wikiquote, CC BY-SA 4.0 source
Recorded in: On spending the majority of her childhood without her parents in “Edwidge Danticat: 'Whether Or Not We Belong Is Not Defined By Us'” in NPR (2019 Aug 30)
“Loving Haiti, you know, comes in the blood. And loving America, being grateful for what it's afforded my family, there are so many Americans now in my family. That's what also makes it sad to see what's happening now, in terms of how new immigrants are being scapegoated, to hear about children who could have been myself, dying at the border for lack of medical care…”
Edwidge Danticat (born 1969) first seen 2019 wikiquote, CC BY-SA 4.0 source
Recorded in: On loving both America and Haiti despite the current political climate in “Edwidge Danticat: 'Whether Or Not We Belong Is Not Defined By Us'” in NPR (2019 Aug 30)
“Often when we migrate, we find ourselves with these types of persons—the torturers and the victims mixed together in the same neighborhood.”
Edwidge Danticat (born 1969) wikiquote, CC BY-SA 4.0 source
“(Faulkner said, “The past is never dead—it’s not even past.”) ED: Exactly. Especially in the case of people who have migrated from other places. We try so hard to keep some aspects of the past with us and forget others, but often we don’t get to choose. We try to keep the beautiful memories, but other things from the past creep up on us. The past is like the hair on our head. I moved to New York when I was twelve, but you always have this feeling that wherever you come from, you physically leave it, but it doesn’t leave you.”
Edwidge Danticat (born 1969) wikiquote, CC BY-SA 4.0 source
“That’s what writing can do in whatever form it comes to us. It allows us to see these larger events in a personal way. It goes back even to the slave narratives, where it’s stressed on the cover of these books, “Written by Herself” or “by Himself,” where people need to testify to their own experience. What’s happened has brought new eyes to Haitian literature, to Haitian art, to Haitian music. Hopefully that’ll be something that will continue even when we’re not in the news.”
Edwidge Danticat (born 1969) wikiquote, CC BY-SA 4.0 source
“America’s relationship with Haiti has always been very complicated. I often say to people, “Before we came to America, America came to us in the form of the American occupation from 1915 to 1934.” But what I know from having lived here this long is that not all of America did this. In the same way, I would hate for people to generalize about every Haitian from something that one Haitian did, or a group of Haitians did. My fight was with those policies and those particular people and what they were doing to other people.”
Edwidge Danticat (born 1969) wikiquote, CC BY-SA 4.0 source
“There is a Haitian saying that might upset the aesthetic sensibilities of some women. "Nou lèd, nou la," it says. "We are ugly, but we are here." Like the modesty that is common in rural Haitian culture, this saying makes a deeper claim for poor Haitian women than maintaining beauty, be it skin-deep or otherwise. For women like my grandmother, what is worth celebrating is the fact that we are here, that against all the odds, we exist. To women like my grandmother, who greeted each other with this saying when they met along a trail in the countryside, the very essence of life lies in survival. It is always worth reminding our sisters that we have lived yet another day to answer the roll call of an often painful and very difficult life.”
Edwidge Danticat (born 1969) first seen 2003 wikiquote, CC BY-SA 4.0 source
Recorded in: We are ugly, but we are here" in Women Writing Resistance: Essays on Latin America and the Caribbean edited by Jennifer Browdy (2003)
“I am from a place, Haiti, that constantly evokes nostalgia in the people who have seen it, lived in it, and loved it “before”...The blessings of our islands are also our curse. Our geography gives us year-round sun and beautiful beaches, but more and more in the age of climate change, we are on the front line of destruction. “We are a people” seems to be what we have been saying for generations to all our colonizers and invaders who seemed intent on destroying us. And now more than ever, Mother Nature, too. We are a people, the Arawaks and Taínos might have said, even as they died trying to prove it.”
Edwidge Danticat (born 1969) first seen 2017 wikiquote, CC BY-SA 4.0 source
Recorded in: Dawn After the Tempests" (Nov. 6, 2017)
“Create dangerously, for people who read dangerously. This is what I've always thought it meant to be a writer. Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them. Coming from where I come from, with the history I have having spent the first twelve years of my life under both dictatorships of Papa Doc and his son, Jean-Claude-this is what I've always seen as the unifying principle among all writers. This is what, among other things, might join Albert Camus and Sophocles to Toni Morrison, Alice Walker, Osip Mandelstam, and Ralph Waldo Emerson to Ralph Waldo Ellison. Somewhere, if not now, then maybe years in the future, a future that we may have yet to dream of, someone may risk his or her life to read us. Somewhere, if not now, then maybe years in the future, we may also save someone's life (or mind) because they have given us a passport, making us honorary citizens of their culture.”
Edwidge Danticat (born 1969) wikiquote, CC BY-SA 4.0 source
“We have a Haitian saying: Fanm se poto mitán. Women are middle pillars of society. I think that's true of all societies. I agree to the often quoted maxim that we hold up half the sky. Sojourner Truth, in her famous speech, said that if Eve were able to change the course all alone we should be able to do more together today. Those are the foundations of my feminism, my activism as a feminist/womanist...For a lot of poor families, the men are abroad or the society has crushed them and they're absent for one reason or another. The women may not be labeling themselves feminists or womanists, but they're doing the work. They're keeping the children alive. They're keeping the family going. That's a developed-world, as well as a developing-world reality.”
Edwidge Danticat (born 1969) first seen 2009 wikiquote, CC BY-SA 4.0 source
Recorded in: 2009 interview included in Conversations with Edwidge Danticat edited by Maxine Lavon Montgomery (2017)
“people had been planning for years to go and celebrate that anniversary [the 200th anniversary of Haiti's independence in 2004]. And then we had this happen again, where we had these so-called rebels who — and then the coup and this replay of tragedies, you know? But it seemed so ironic at that time, but I think when — you know, as President Aristide — and one of the first statements that he made outside of Haiti was an echo to Toussaint L’Ouverture, where he said, you know, the tree of Negro liberty has been — the branches have been cut down, paraphrasing Toussaint L’Ouverture, but the roots are strong, and there are many. And this is this part of Haiti’s history, this revolution, I think, that continues to inspire, even — because it’s one of those things that people in difficult moments will quote, because on some level, with all the tragedies that followed, it was the last time that we were great, that we taught the world a lesson, and that we created something in a way that I think Haiti has been punished over and over for, for this revolution, this spirit of — you know, of these roots that won’t die.”
Edwidge Danticat (born 1969) first seen 2010 wikiquote, CC BY-SA 4.0 source
Recorded in: interview with Democracy Now (2010)
“In the 1980s, when people were just beginning to talk about AIDS, there were just a few categories of those who were at high risk: homosexuals, hemophiliacs, heroin addicts, and Haitians. We were the only ones identified by nationality. Then it seemed from the media that we were being told that all Haitians had AIDS. At the time, I had just come from Haiti. I was twelve years old, and the building I was living in had primarily Haitians. A lot of people got fired from their jobs. At school, sometimes in gym class, we’d be separated because teachers were worried about what would happen if we bled. So there was really this intense discrimination. The FDA placed us on the list of people who could not give blood. So AIDS was something that was put upon us, and we were immediately identified with it. That is unfair. That is unjust. I always say, “We are all people living with AIDS.” It’s not like you can avoid it. It’s part of our world.”
Edwidge Danticat (born 1969) wikiquote, CC BY-SA 4.0 source
“What do you think of Bush’s attack on Iraq? ED: That situation could have been resolved in a different way. And the justification—the idea that we have a right to invade another country and determine another people’s destiny—is frightening. And I fear really for the future of that occupation. What happens now, and twenty years from now, and forty years from now, given our case? People in the United States may feel like when we don’t see it on CNN twenty-four hours a day, it sort of disappears. But it doesn’t disappear for the people who have to live under occupation—and their children and their children’s children.”
Edwidge Danticat (born 1969) wikiquote, CC BY-SA 4.0 source
“(Q: Masks are a big part of Carnival. You seem drawn to them. Why?) ED: Even when I think of writing fiction, it’s being kind of a liar, a storyteller, a weaver, and there’s that sense of how much of this is your life. The story is a way you unravel your life from behind a mask. But the idea of just putting on a mask in a big crowd where you can be anybody was always something that was interesting to me because sometimes when we’re most shielded is when we are boldest. And, being a shy child, I always longed for a mask. Even in my adult life, I have glasses, they are my mask. When I meet people for the first time, I always put on my glasses because I feel like that’s a little something extra between me and them. It’s like the Laurence Dunbar poem “We Wear the Mask.” I think we all wear some kind of mask. There are masks that shield us from others, but there are masks that embolden us, and you see that in carnival. The shiest child puts on a mask and can do anything and be anybody. So sometimes we mask ourselves to further reveal ourselves, and it’s always been connected to me with being a writer: We tell lies to tell a greater truth. The story is a mask; the characters you create are masks. That appeals to me. Aside from that, too, in the carnival the masks were beautiful, and offered a vision of Haitian creativity.”
Edwidge Danticat (born 1969) wikiquote, CC BY-SA 4.0 source
“The way the media cycle works here, the way the news works, and the way people’s attention span works, is that we only learn that people exist when there is crisis. That’s why I think it is important to reach people through other means, like the arts and literature, because then you establish a connection that’s not an instant crisis. It’s not disaster porn, it’s a mutual gaze: I’m giving you something and you’re giving me something. That has always been a strength of Haiti: Beyond crisis, it has beautiful art; it has beautiful music. But people have not heard about those as much as they heard about the coups and so forth. I always hope that the people who read me will want to learn more about Haiti.”
Edwidge Danticat (born 1969) wikiquote, CC BY-SA 4.0 source
“I am very timid about speaking for the collective. I can say what I see, I can say what I’ve heard, I can say what I feel, but I can’t speak for—no one can speak for—10 million people, and it takes away something from them if you make yourself their voice. Often in the media, they will say about anybody who has written a book or sings a song or who comes from a minority group, “Oh, she’s ‘the voice of the people.'” The people did not elect me. I speak with one voice that may echo other people, but I am part of a group of people. That’s not distancing yourself from a community, that’s also allowing the space for others to speak for themselves.”
Edwidge Danticat (born 1969) wikiquote, CC BY-SA 4.0 source