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Camille Paglia
324 quotes
“Feminism, for all its boasts, has not found a single major female painter or sculptor to add to the canon. It did revive the reputations of many minor women, like Frida Kahlo or Romaine Brooks. Mary Cassatt, Georgia O'Keeffe, and Helen Frankenthaler were already known and did not need rediscovery. Artemisia Gentileschi was simply a polished, competent painter in a Baroque style created by men.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“Dworkin, like Kate Millett, has turned a garish history of mental instability into feminist grand opera. Dworkin publicly boasts of her bizarre multiple rapes, assaults, beatings, breakdowns and tacky traumas, as if her inability to cope with life were the patriarchy’s fault rather than her own. She pretends to be a daring truth-teller but never mentions her most obvious problem: food.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“We have allowed the sexual debate to be defined by women, and that's not right. Men must speak, and speak in their own voices, not voices coerced by feminist moralists.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“The women's movement is rooted in the belief that we don't even need men. All it will take is one natural disaster to prove how wrong that is. Then, the only thing holding this culture together will be masculine men of the working class. The cultural elite — women and men — will be pleading for the plumbers and the construction workers. We are such a parasitic class.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“At Bennington, I would go to a faculty meeting and be aware that everyone hated me. The men were appalled by a strong, loud woman. But I went to this auto shop and the men there thought I was cute. "Oh, there's that Professor Paglia from the college." The real men, men who work on cars, find me cute. They are not frightened by me, no matter how loud I am. But the men at the college were terrified because they are eunuchs, and I threatened every goddamned one of them.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“The problem with America is that there's too little sex, not too much. The more our instincts are repressed, the more we need sex, pornography and all that. The problem is that feminists have taken over with their attempts to inhibit sex. We have a serious testosterone problem in this country. … It's a mess out there. Men are suspicious of women's intentions. Feminism has crippled them. They don't know when to make a pass. If they do make a pass, they don't know if they're going to end up in court.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“I have lesbian impulses, so I understand how a man looks at a woman. … When I was growing up, it wasn't possible for me to do anything about my attraction to women. Lesbianism didn't exist in that time, as far as I knew.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“Most people aren't sure what's going to happen on a first date. Given that ambiguity, every woman must be totally aware at every moment that she is responsible for every choice she makes. … protect yourselves. See trouble coming.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“She is so deluded that she genuinely believes she speaks for all women. She's a victim of her own success. I liked the early Steinem. There was once a survey conducted for Time about who would make a good candidate for the first female president, and I wrote in Gloria Steinem. But now? Gloria Steinem is dissing men and dissing fashion and she's out having her hair streaked at Kenneth's. She became a socialite with a coterie. A lot of middle-aged white ladies still love her, but the media have been negligent regarding her.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“My point is that you cannot force social change at a speed that it cannot go. Social change is evolutionary, not revolutionary. Deep social change takes time. And slowly the culture is changing. The MTV generation is far more tolerant, and that tolerance is growing.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“Clinton is in trouble and she (Joycelyn Elders) opens her mouth about masturbation. Can't she control herself? She was in the wrong job. In some ways she's like me — she says what she thinks. But then you shouldn't be part of politics. I would like Joycelyn Elders to be in a position to speak her mind and not worry about political consequences. You cannot have a nondiplomatic figure in a political appointment.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“The Democratic Party has to return to its populist base, to rediscover the party of FDR, the one that appealed to my grandfather and the factory workers and others. To do this, there must be a period of self-criticism. We must face this head-on or continue to be governed by the Republicans. We must examine how we set up the rise of Republicans on campuses, where the dissent should be coming from. It is explained by the lack of energy; and ideas from the other side. As a result, campuses are the most depressing places, devoid of passion.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“Millions of kids are being maimed right now on Ritalin. I would have been given Ritalin. And there would have been no Sexual Personae, no nothing. We are castrating a whole generation of kids.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“The only problem I have with computers and television is that when all cultures on earth reach the stage we are at it will lead to a kind of homogenization.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“In the real world, very smart people fail and mediocre people rise. Part of what makes people fail or succeed are skills that have nothing to do with IQ. Also, the idea that intelligence can be gauged by an IQ test is erroneous.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“I loathe Meryl Streep. She was good in Silkwood, but she began to take herself very seriously. I'm reacting to the horrendous overpraise she has received. She is a calculated actress, a victim of her own WASP culture. I find her totally unconvincing. She has no passion. She has no deep elemental vibration. Jodie Foster is overpraised, too. I thought she was good in The Silence of the Lambs, and The Accused, but she's getting on my nerves.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“I am reverential to great stars. I don't want sexual congress with them. The writer in me reveres the artist in them.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“He was a revealing symbol. He called himself passive-aggressive. There was self-pity, whining. There was a diminishment, a diminution. He was sitting there in his sweater, hunched over his guitar, looking like a little lost boy. Compare that with the great figures of my generation: Jimi Hendrix. Pete Townshend. Keith Richards.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“I like Liz Phair, but there were these stupid women reviewers who said she's surpassing the Stones. Dream on.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“I had crushes on women — actually I loved charismatic, extreme people, women or men. By high school I was saying I must be a lesbian, because if you are attracted to women, you're a lesbian. I was also attracted to men, but I didn't get along with men.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“I think intellectuals should be fascinated by my rise, what it reveals about the time. My critics are irrelevant, though. It tells how much I'm getting to them by how vitriolic they are. They refuse to deal with the ideas. But reviews don't reflect anything; the books are selling. A friend told me, "The attacks make you.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“I am popular with certain people, but I'm still blocked out of the establishment. I hate that incestuous world. It makes me sick. It's impossible for anything truly original to get done. Thinking is not allowed. It's all PC. It is so horrible because it is a fossilized, parasitic version of Sixties philosophy.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“Because of the nature of the penis, men have performance anxiety, whereas no woman ever has to prove herself in this way. So men's egos are totally involved in performance, in doing, achieving. An erection is a kind of achievement. So is peeing. As I've said, a boy has to learn to aim in order to no longer be infantile. So it's an accomplishment. The male orgasm is short-lived and transient — and that's the irony of men's sexuality. It's ironic that feminism looks at the penis as power and violence when in fact it is very weak.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“Interest in and patience with long, complex books and poems have alarmingly diminished not only among college students but college faculty in the US. It is difficult to imagine American students today, even at elite universities, gathering impromptu at midnight for a passionate discussion of big, challenging literary works like Dostoyevsky's The Brothers Karamazov -- a scene I witnessed in a recreation room strewn with rock albums at my college dormitory in upstate New York in 1965.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“The computer, with its multiplying forums for spontaneous free expression from e-mail to listservs and blogs, has increased facility and fluency of language but degraded sensitivity to the individual word and reduced respect for organized argument, the process of deductive reasoning. The jump and jitter of us commercial television have demonstrably reduced attention span in the young.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“In a media age where books are no longer the primary medium for information storage and exchange, language must be reclaimed from the hucksters and the pedants and imaginatively reinforced. To save literature, educators must take command of the pre-rational world of images. The only antidote to the magic of images is the magic of words.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“How dare Palin not embrace abortion as the ultimate civilized ideal of modern culture? How tacky that she speaks in a vivacious regional accent indistinguishable from that of Western Canada! How risible that she graduated from the University of Idaho and not one of those plush, pampered commodes of received opinion whose graduates, in their rush to believe the worst about her, have demonstrated that, when it comes to sifting evidence, they don't know their asses from their elbows.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“Liberal Democrats are going to wake up from their sadomasochistic, anti-Palin orgy with a very big hangover. The evil genie released during this sorry episode will not so easily go back into its bottle. A shocking level of irrational emotionalism and at times infantile rage was exposed at the heart of current Democratic ideology — contradicting Democratic core principles of compassion, tolerance and independent thought. One would have to look back to the Eisenhower 1950s for parallels to this grotesque lock-step parade of bourgeois provincialism, shallow groupthink and blind prejudice.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“How is it possible that today's academic Left has supported rather than protested campus speech codes as well as the grotesque surveillance and over-regulation of student life? American colleges have abandoned their educational mission and become government colonies, ruled by officious bureaucrats enforcing federal dictates. This despotic imperialism has no place in a modern democracy.”
Camille Paglia (born 1947) first seen 2017 wikiquote, CC BY-SA 4.0 source
Recorded in: From the Introduction to Free Women, Free Men, Paglia, Knopf Doubleday Publishing Group (2017)
“I don't want special protection for gays or transgender. I'm saying there should be protections for all dissident behavior and speech. Dissidents of every kind.”
Camille Paglia (born 1947) first seen 2017 wikiquote, CC BY-SA 4.0 source
Recorded in: In an interview about the book. "Camille Paglia on her controversial feminism" (at 10m35s), CBC News: The National on YouTube, 7 May 2017.
“For me, I don't believe in God, yet I believe in all Gods. I believe that the great religions of the world are these repositories of spiritual experience. And each one of the great world religions contains insights about the nature of the universe.”
Camille Paglia (born 1947) first seen 1994 wikiquote, CC BY-SA 4.0 source
Recorded in: An Interview with Camille Paglia", America Magazine, 12 November 1994
“I'm an atheist, but I see the great world religions as enormous works of art. As the best way to understand the universe and man's place in it.”
Camille Paglia (born 1947) first seen 2017 wikiquote, CC BY-SA 4.0 source
Recorded in: Modern Times: Camille Paglia & Jordan B Peterson" (at 8m13s), Jordan B Peterson podcast, 3 October 2017
“Society is not the criminal but the force which keeps crime in check. When social controls weaken, man’s innate cruelty bursts forth. The rapist is created not by bad social conditioning influences but by a failure of social conditioning. Feminists, seeking to drive power relations out of sex, have set themselves against nature. In western culture, there are no nonexploitative relationships. Everyone has killed in order to live. Nature’s universal law of creation from destruction operates in mind as in matter. As Freud, Nietzsche’s heir, asserts, identity is conflict. Each generation drives its plow over the bones of the dead.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“Our focus on the pretty is an Apollonian strategy. The leaves and flowers, the birds, the hills are a patchwork pattern by which we map the known. What the West represses in its view of nature is the chthonian, which means "of the earth"—but earth's bowels, not its surface. Jane Harrison uses the term for pre-Olympian Greek religion, and I adopt it as a substitute for Dionysian, which has become contaminated with vulgar pleasantries. The Dionysian is no picnic. It is the chthonian realities which Apollo evades, the blind grinding of subterranean force..., the dehumanizing brutality of biology and geology, the Darwinian waste and bloodshed, the squalor and rot we must block from consciousness to retain our Apollonian integrity as persons. Western science and aesthetics are attempts to revise this horror into imaginatively palatable form.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“Woman was an idol of belly-magic. She seemed to swell and give birth by her own law. From the beginning of time, woman has seemed an uncanny being. Man honored but feared her. She was the black maw that had spat him forth and would devour him anew. Men, bonding together, invented culture as a defense against female nature. Sky-cult was the most sophisticated step in this process, for its switch of the creative locus from earth to sky is a shift from belly-magic to head-magic. And from this defensive head-magic has come the spectacular glory of male civilization, which has lifted woman with it. The very language and logic modern woman uses to assail patriarchal culture were the invention of men.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“That nature acts differently upon the sexes is proved by the test case of modern male and female homosexuality, illustrating how the sexes function separately outside social conventions. The results, according to statistics of sexual frequency: male satyriasis and female nesting. The male homosexual has more sex than his heterosexual counterpart; the female homosexual less often than hers, a radical polarization of the sexes along a single continuum of shared sexual nonconformity. Male aggression and lust are the energizing factors in culture. They are men’s tools of survival in the pagan vastness of female nature.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“Pornography’s male-born explicitness renders visible what is invisible, woman’s chthonic internality. It tries to shed Apollonian light on woman’s anxiety-provoking darkness. The vulgar contortionism of pornography is the serpentine tangle of Medusan nature. Pornography is human imagination in tense theatrical action; its violations are a protest against the violations of our freedom by nature. The banning of pornography, rightly sought by Judeo-Christianity, would be a victory over the west’s stubborn paganism. But pornography cannot be banned, only driven underground, where its illicit charge will be enhanced.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“The Apollonian and Dionysian, two great western principles, govern sexual personae in life and art. My theory is this: Dionysus is identification, Apollo objectification. Dionysus is the empathic, the sympathetic, emotion transporting us into other people, other palaces, other times. Apollo is the hard, cold separation of western personality and categorical thought. Dionysus is energy, ecstasy, hysteria, promiscuity, emotionalism -- heedless indiscriminateness of idea or practice. Apollo is obsessiveness, voyeurism, idolatry, fascism -- frigidity and aggression of the eye, petrification of objects. … The quarrel between Apollo and Dionysus is the quarrel between the higher cortex and the older limbic and reptilian brains.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“The Orestia shows that society is a defense against nature. Everything intelligible -- institutions, objects, persons, ideas -- is the result of Apollonian clarification, adjudication, and action. Western politics, science, psychology and art are creations of arrogant Apollo. Through every century, winning or losing, western mind has struggled to keep nature at bay. The Orestia’s sexist transition from matriarchy to patriarchy records the rebellion every imagination must make against nature. Without that rebellion, we as a species are condemned to regression or stasis. Even rebelling, we cannot get far. But vying with fate is godlike.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“The Faerie Queene is the most extended and extensive meditation on sex in the history of poetry. It charts the entire erotic spectrum, a great chain of being rising from matter to spirit, from the coarsest lust to chastity and romantic idealism. The poem’s themes of sex and politics are parallel: the psyche, like society, must be disciplined by good government. Spenser agrees with the classical and Christian philosophers on the primacy of reason over animal appetites. He looks forward to the Romantic poets, however, in the way that he shows the sex impulse as ultimately daemonic and barbaric, breeding witches and sorcerers of evil allure. Like the Odyssey, The Faerie Queene is a heroic epic in which the masculine must evade female traps or delays.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“The sixteenth century transformed Middle English into modern English. Grammar was up for grabs. People made up vocabulary and syntax as they went along. Not until the eighteenth century would rules of English usage appear. Shakespearean language is a bizarre super-tongue, alien and plastic, twisting, turning, and forever escaping. It is untranslatable, since it knocks Anglo-Saxon root words against Norman and Greco-Roman importations sweetly or harshly, kicking us up and down rhetorical levels with witty abruptness. No one in real life ever spoke like Shakespeare’s characters. His language does not “make sense,” especially in the greatest plays. Anywhere from a third to a half of every Shakespearean play, I conservatively estimate, will always remain under an interpretive cloud. Unfortunately, this fact is obscured by the encrustations of footnotes in modern texts, which imply to the poor cowed student that if only he knew what the savants do, all would be as clear as day. Every time I open Hamlet, I am stunned by its hostile virtuosity, its elusiveness and impenetrability. Shakespeare uses language to darken. He suspends the traditional compass points of rhetoric, still quite firm in Marlowe, normally regarded as Shakespeare’s main influence. Shakespeare’s words have “aura.” This he got from Spenser, not Marlowe.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“Richard Chase declares, "No great poet has written so much bad verse as Emily Dickinson." He blames the Victorian cult of little women for the fact that "two thirds of her work" is seriously flawed: "Her coy and oddly childish poems of nature and female friendship are products of a time when one of the careers open to women was perpetual childhood." Dickinson's sentimental feminine poems remain neglected by embarrassed scholars. I would maintain, however, that her poetry is a closed system of sexual reference and that the mawkish poems are designed to dovetail with those of violence and suffering.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“Women have been discouraged from genres such as sculpture that require studio training or expensive materials. But in philosophy, mathematics, and poetry, the only materials are pen and paper. Male conspiracy cannot explain all female failures. I am convinced that, even without restrictions, there still would have been no female Pascal, Milton, or Kant. Genius is not checked by social obstacles: it will overcome. Men's egotism, so disgusting in the talentless, is the source of their greatness as a sex. [...] Even now, with all vocations open, I marvel at the rarity of the woman driven by artistic or intellectual obsession, that self-mutilating derangement of social relationship which, in its alternate forms of crime and ideation, is the disgrace and glory of the human species.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“Meryl Streep, in her Protestant way, is stuck on words; she flashes clever accents as a mask for her deeper failures. (And she cannot deliver a Jewish line; she destroyed Nora Ephron’s snappy dialogue in Heartburn.) Streep’s work doesn’t travel. Try dubbing her for movie houses in India: there’d be nothing left, just that bony, earnest horse face moving its lips. Imagine, on the other hand, lesser technicians like Hedy Lammarr, Rita Hayworth, Lana Turner: these women have an international and universal appeal, crossing the centuries. They would have been beautiful in Egypt, Greece, Rome, medieval Burgundy, or eighteenth-century Paris. Susan Hayward played Bathsheba. Try to picture Streep in a Bible epic! Streep is incapable of playing the great legendary or mythological roles. She has no elemental power, no smouldering sensuality.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“If you want to see what’s wrong with Ivy League education, look at The Beauty Myth, that book by Naomi Wolf. This is a woman who graduated from Yale magna cum laude, is a Rhodes scholar, and she cannot write a coherent paragraph. This is a woman who cannot do historical analysis, and she is a Rhodes scholar? If you want to see the damage done to intelligent women today in the Ivy League, look at that book. It's a scandal. Naomi Wolf is an intelligent woman. She has been ill-served by her education. But if you read Lacan, this is the result. Your brain turns to pudding. She has a case to make. She cannot make it. She’s full of paranoid fantasies about the world. Her education was completely removed from reality.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“I am saying that many of the problems between the sexes are coming from something prior to socialization, a turbulence that has to do with every boy’s origin in a woman’s body, and the way he is overwhelmed by this huge, matriarchal shadow of a goddess figure from his childhood. And I feel, after so many decades of studying this, that men are suffering from a sense of dependence on women, their sense that at any moment they could be returned to that slavery and servitude they experienced under a woman’s thumb, when they were a boy in the shadow of the mother. I got this from studying all world culture, and comparing and noticing how often there were these similar patterns in many different cultures. Many things that erupt in rape or violence, or battery and so on, are happening when a woman is pushing that button of fear and dependency.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“I am being vilified by feminists for merely having a common-sense attitude about rape. I loathe this thing about date rape. Have twelve tequilas at a fraternity party and a guy asks you to go up to his room, and then you're surprised when he assaults you? Most women want to be seduced or lured. The more you study literature and art, the more you see it. Listen to Don Giovanni. Read The Faerie Queene. Pursuit and seduction are the essence of sexuality. It’s part of the sizzle. Girls hurl themselves at guitarists, right down to the lowest bar band here. The guys are strutting. If you live in rock and roll, as I do, you see the reality of sex, of male lust and women being aroused by male lust. It attracts women. It doesn't repel them. Women have the right to freely choose and to say yes or no. Everyone should be personally responsible for what happens in life. I see the sexual impulse as egotistical and dominating, and therefore I have no problem understanding rape. Women have to understand this correctly and they'll protect themselves better. If a real rape occurs, it's got to go to the police. The business of having a campus grievance committee decide whether or not a rape is committed is an outrageous infringement of civil liberties. Today, on an Ivy League campus, if a guy tells a girl she's got great tits, she can charge him with sexual harassment. Chickenshit stuff. Is this what strong women do?”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“Feminists have no idea that some women like to flirt with danger because there is a sizzle in it. You know what gets me sick and tired? The battered-woman motif. It’s so misrepresented, the way we have to constantly look at it in terms of male oppression and tyranny, and female victimization. When, in fact, everyone knows throughout the history of the world that many of these working-class relationships where women get beat up have hot sex. They ask why won’t she leave him? Maybe she won’t leave him because the sex is very hot. I say we should start looking at the battered-wife motif in terms of sex. If gay men go down to bars and like to get tied up, beaten up, and have their asses whipped, how come we can’t allow that a lot of wives like the kind of sex they are getting in these battered wife relationships? We can’t consider that women have kinky tastes, can we? No, because women are naturally benevolent and nurturing, aren’t they? Everything is so damn Mary Poppins and sanitized.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“Robert Caserio recently said to me, “The whole profession has become a vast mimicry. The idea that there is open debate is an absolute fiction. There is only the Foucault monologue, the Lacan monologue, the Derrida monologue. There is no room for creative disagreement. No deviation from what is approved is tolerated.” These monologues are really one, the monotonous drone of the School of Saussure, which has cast its delusional inky cloud over modern academic thought. Never have so many been wrong about so much. It is positively idiotic to imagine that there is no experience outside of language. … It has been a truism of basic science courses for decades in America that the brain has multiple areas of function and that language belongs only to specific areas, injured by trauma and restored by surgery or speech therapy.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source
“The signal failure of the academic Marxists is in their obliviousness to the transformation of modern labor. In the age of mass media, power has shifted its meaning and loci. Capitalism, whatever its problems, remains the most efficient economic mechanism yet to bring the highest quality of life to the greatest number. Because I have studied the past, I know that, in America and under capitalism, I am the freest woman in history. Union blue-collar jobs now routinely pay higher salaries than are earned by most teachers. Physical labor, as a concrete skill occupation, is free of the soul-destroying office politics suffers by the Marxists' demonized managerial class, who take their jobs home with them and are in a continual funk of anxiety and neurosis. … Unharried weekend leisure time is the center of working-class American life in ways the academic Marxists, resentfully marking papers and endlessly pressed for time, simply don't see.”
Camille Paglia (born 1947) wikiquote, CC BY-SA 4.0 source