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Banksy
111 quotes
“You could stick all my shit in Tate Modern and have an opening with Tony Blair and Kate Moss on roller blades handing out vol-au-vents and it wouldn't be as exciting as it is when you go out and paint something big where you shouldn't do." — The Guardian, 2003 (taken from "Home Sweet Home - Banksy's Bristol" by Steve Wright)”
“[I first picked up a spray can] the day someone ram-raided the Halfords round the corner from our house." — Venue magazine (taken from "Home Sweet Home - Banksy's Bristol" by Steve Wright)”
“I mean, they say you die twice. One time when you stop breathing and a second time, a bit later on, when somebody says your name for the last time.”
“Is graffiti art or vandalism? That word has a lot of negative connotations and it alienates people, so no, I don't like to use the word 'art' at all.”
“I can't help feeling it was a bit easier when all I had to compete against was a dustbin down an alley rather than, you know, a Gainsborough or something.”
“When the paintings suddenly started going for, like, really big money it definitely weirded me out, and I kind of went away to the middle of nowhere and I stopped making any more paintings. But the whole time the auction houses were just selling paintings that I’d done years before and sold for not much money. Or paintings that I traded for a haircut or, you know, an ounce of weed and they were going for like 50 grand." (lightly edited)”
“People are taking the piss out of you every day. They butt into your life, take a cheap shot at you and then disappear. They leer at you from tall buildings and make you feel small. They make flippant comments from buses that imply you’re not sexy enough and that all the fun is happening somewhere else. They are on TV making your girlfriend feel inadequate. They have access to the most sophisticated technology the world has ever seen and they bully you with it. They are The Advertisers and they are laughing at you. You, however, are forbidden to touch them. Trademarks, intellectual property rights and copyright law mean advertisers can say what they like wherever they like with total impunity. Fuck that. Any advert in a public space that gives you no choice whether you see it or not is yours. It’s yours to take, re-arrange and re-use. You can do whatever you like with it. Asking for permission is like asking to keep a rock someone just threw at your head. You owe the companies nothing. Less than nothing, you especially don't owe them any courtesy. They owe you. They have re-arranged the world to put themselves in front of you. They never asked for your permission, don't even start asking for theirs.”
“[Letter received to the Banksy website:] "I don't know who you are or how many of you there are but i am writing to ask you to stop painting your things where we live. In particular XXXXXX road in Hackney. My brother and me were born here and have lived here all our lives but these days so many yuppies and students are moving here neither of us can afford to buy a house where we grew up anymore. Your graffities are undoubtably part of what makes these wankers think our area is cool. You're obviously not from round here and after you've driven up the house prices you'll probably just move on. Do us all a favour and go do your stuff somewhere else like Brixton. -daniel" [sic; name and address not withheld]”
“The problem with painting in Zoos is that it's slightly too effective. They tend to get rid of it as soon as possible. I'd had enough when the rope ladder into the Chimpanzee enclosure at the Sydney Zoo snapped and I fell into the moat getting a mouthful of monkey piss. By 10am the next morning the words 'Please help me get out of here I am the victim of a cruel scientific experiment... I am not a monkey... Somebody do something' had been completely painted over. The solution was to write stuff on cardboard and throw it into the enclosures when no one was looking. Then you just sit back and listen to the explanation parents give as their kids ask 'Why don't we just let them go home if they want to, mummy?'”
“There's a famous story about a hobo who hitch-hiked the freight trains across the Australian outback many years ago. He marked his trips by writing the word 'Eternity' everywhere he could in elaborate chalk handwriting. He wrote on so many train cars, bridges and pavements that all across Australia he became part of urban folklore. In 1999 Sydney led the world celebrations for the arrival of a new millennium, and as the eyes of the world watch a spectacular firework display lit up the harbour, at its very center, spanning the length of its famous bridge was the word 'Eternity', spelt out in that same elaborate script by a thousand tiny lights. Fucking sell out." [lightly edited for grammar]”
“People are fond of using military terms to describe what they do. We call it bombing when we go out painting, when of course it's more like entertaining the troops in a neutral zone, during peacetime in a country without an army. Why all the bombs? Because it's healthy to think about bombs all the time, because it's difficult to get your head around the fact that humans have the hardware available to make their entire species extinct. Nobody talks about it anymore but they say this is why we've all become so into money, because at the back of all our minds we all know that the atomic bombs have taken our future away from us.”