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Alan Moore

138 quotes

“The sexuality of creativity – on that level, human interaction becomes less of an oppressive pyramid and more of a dance, an orgy, something that you can imagine being a bit of fun. It seems to work naturally, except when order is imposed upon it, from above, and then everything starts getting a bit screwed up. The information, the energy, starts to get messed up.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“Anarchy – anarchon – no leaders. Which means, everybody is a leader. You can’t have an official set of rules for anarchy. I tend to think such connections casually, and break and form and break and form throughout our lives. If you look back ten years, you will remember a group of friends who you were productively involved with at that time, now some of them have drifted away, new people have come in. These are more naturalistic linkages, which exist while there is a need for them to exist. It’s more like the way ants work.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“Things tend to organise themselves. If there is any message from contemporary science, it is surely that. I am very fond of the anarchist proverb regarding laws – good people have no need for them, bad people pay no attention to them, what are they there for, other than as a symbol of power – ‘We can say this is law’. I could say I rule the universe, it depends on whether anyone believes me or not. To some degree, I don’t think the authorities care whether the law is observed or not, as long as it is there, and everyone accepts the idea of law. As long as they buy into the idea of law.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“The more I look at most of the art movements, it’s all occultism, when you get down to it. The Surrealists were openly talking about being magicians.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“Annie Besant’s book where she put forward the idea that theosophical mystical energies could be portrayed as colours or abstract shapes was practically the invention of abstract art. A lot of artists rushed out and read it and suddenly thought, ‘oh God you could, you could portray love as a colour, or depression as a colour” All of a sudden abstract art happens, a flowering out of occultism.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“There has always been a dance element in my mysticism. We just think ‘why not’. Music is imposing a state of consciousness by its very nature. If what this Tree of Life is is a hierarchy of different states of consciousness, would it be possible to simulate and stimulate those states of consciousness in the listener by producing the right sorts of music. Is it possible? We don’t know, but we’re working on it.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“I thought if I can still be the central voice but without having an ‘I’ there, and by not having it there, it makes it easier for the reader to slip into the consciousness of the narrator. If you remove the letter ‘I’ it becomes a universal I. Everybody is the author walking down those streets while they are in the prose.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“The reason I got into magic was that it seemed to be what was lying at the end of the path of writing. If I wanted to continue on that path, I was going to have to get into that territory because I had followed writing as far as I thought I could without taking a step over the edges of rationality. The path led out of rational confines. When you start thinking about art and creativity, rationality is not big enough to contain it all.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“B. F. Skinner actually put forward – and this is a measure of scientific desperation over consciousness – the idea that consciousness was a weird vibrational by-product of the vocal cords. That we did not actually think. We thought we thought because of this weird vibration caused by the vocal cords. This shows the lengths that hard science will go to to banish the ghost from the machine.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“If you take the idea of God in the Bible as a metaphor for any nascent, formative just-created intelligence, is that not how we all create the universe. We divide the firmament up from the waters of the abyss, and the key to how to do this is in the first line: in the beginning, there was the word. By giving sky one word, the ground into another, we break the universe down into manageable things that we can interact with through language.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“In the beginning, there is just universe. There is no us. There is just God in His or Her universe. Then we separate God from the universe until we are trapped in it, in the universe we have created.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“I might do a work to put me in contact with the god Mercury. If the information I get from that is valuable to me, and new enough, it doesn’t really matter whether the god Mercury is there at all, does it? There is a channel that I have called the god Mercury, some sort of information source I have named.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“I can deal with functionality on a practical level. And I still have this relationship with this imaginary snake. My imaginary pal. If I’m going to be dealing in totally imaginary territory, it struck me that it would be useful to have a native as a guide. So I can have my imaginary conversations with my imaginary snake, and maybe it gives me information I already knew in part of myself, and maybe I just needed to make up an imaginary snake to tell me it.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“If I wanted a full-scale manifestation, one that was apparent to other people, then I would do a ritual. I have displayed the snake god to other people. Or I have consciously hypnotised them into accepting my psychotic belief system, given them drugs, and made them think they are having the experience I have. Whatever you want. I’m not fussed.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“I can understand why magicians have such a high insanity rate. We don’t end well, most of us, it has to be said. Paul Daniels might escape the worst effects, but the rest of us are pretty obviously doomed. Once you step over that line, you are in danger from a lot of stuff. Delusion, obviously, being the main thing.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“Madness and insanity are two terms that are so vague and relative that you can’t really apportion proper values to them. The only thing I can think of that has any use it functional and dysfunctional. Are you working as well? In which case, it doesn’t matter if you are mad.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“If I realised the power of magic to worry and terrify people before, then I certainly would have used it before. Everyone freezes before it for different reasons – perhaps because it means madness to them, or because it means opening the door to a whole lot of stuff that the Age of Reason should have firmly bolted the door upon. A lot of concepts that we got rid of a long time ago that would be a bit creepy to have them back.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“I think that we are approaching a kind of event field – fifteen years, twenty years up the road. There is a big event in the future and because time is not what we think it is, that event radiates in all directions. We are entering its field and have been for hundreds of years. We are starting to approach the core of it.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“I’ve known a lot of people go mad over the years, and it is more distressing than people dying. People dying is quite natural, people going mad is the complete antithesis of that.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“I don’t distinguish between magic and art. When I got into magic, I realised I had been doing it all along, ever since I wrote my first pathetic story or poem when I was twelve or whatever. This has all been my magic, my way of dealing with it.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“Organised religion has corrupted one of the purest, most powerful and sustaining things in the human condition. It has imposed a middle management, not only in our politics and in our finances, but in our spirituality as well. The difference between religion and magic is the same as what we were talking about earlier – I think you could map that over those two poles of fascism and anarchism. Magic is closer to anarchism.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“Reality, at first glance, is a simple thing: the television speaking to you now is real. Your body sunk into that chair in the approach to midnight, a clock ticking at the threshold of awareness. All the endless detail of a solid and material world surrounding you. These things exist. They can be measured with a yardstick, a voltammeter, a weighing scale. These things are real.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“Consciousness is unquantifiable, a ghost in the machine, barely considered real at all, though in a sense this flickering mosaic of awareness is the only true reality that we can ever know.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“The Here-and-Now demands attention, is more present to us. We dismiss the inner world of our ideas as less important, although most of our immediate physical reality originated only in the mind. The TV, sofa, clock and room, the whole civilisation that contains them once were nothing save ideas.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“Material existence is entirely founded on a phantom realm of mind, whose nature and geography are unexplored.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“Ideas, unlike solid structures, do not perish. They remain immortal, immaterial and everywhere, like all Divine things. Ideas are a golden, savage landscape that we wander unaware, without a map. Be careful: in the last analysis, reality may be exactly what we think it is.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“Som-Som would later learn that the girl's name was Book. Ambiguous and suggestive sentences swirled out from the maroon bud of her nipple. Verses of elegant and cryptic passion followed the orbit of her left eye. Her fingers dripped with poetry.”
Alan Moore (born 1953) first seen 2005 wikiquote, CC BY-SA 4.0 source
Recorded in: Alan Moore's Hypothetical Lizard, #1 (January 2005)
“Way back in the early 80s, when I was first kicking off writing V for Vendetta for the English magazine Warrior, the story was very much a result of me actually sitting down and thinking about what the real extreme poles of politics were. Because it struck me that simple capitalism and communism were not the two poles around which the whole of political thinking revolved. It struck me that two much more representative extremes were to be found in fascism and anarchy.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“The whole program of evolution seems to be to diversify, because in diversity there is strength. And if you apply that on a social level, then you get something like anarchy. Everybody is recognized as having their own abilities, their own particular agendas, and everybody has their own need to work cooperatively with other people. So it’s conceivable that the same kind of circumstances that obtain in a small human grouping, like a family or like a collection of friends, could be made to obtain in a wider human grouping like a civilization.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“Stories are at the absolute center of human existence. Sometimes to disastrous effect; if you think about how various ancient religious stories — that may have been intended at the time as no more than fables — have led to so many devastating wars up to and including the present day. Obviously there are some occasions when the fictions that we base our lives upon lead us into some terrifying territory.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“I suppose any form of art can be said to be propaganda for a state of mind. Inevitably, if you are creating a painting, or writing a story, you are making propaganda, in a sense, for the way that you feel, the way that you think, the way that you see the world. You are trying to express your own view of reality and existence, and that is inevitably going to be a political action—especially if your view of existence is too far removed from the mainstream view of existence. Which is how an awful lot of writers have gotten into terrible trouble in the past.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“If time is an illusion, then all movement and change are also illusions. So the only thing that gives us the illusion of movement and change and events and time is the fact that our consciousness is moving through this mass along the time axis. If you imagine it as a strip of celluloid, each of those individual cells is motionless. If they each represent a moment, they’re unchanging. They’re not going anywhere, but as the projector beam of our consciousness passes across them, it provides the illusion of movement, and narrative and cause and effect and circumstances.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“We don’t have a tradition of masked heroes really anywhere else in the world apart from America,” Moore said in an interview with RT’s Sophie Shevardnadze. “I mean, Guy Fawkes, who the ‘V for Vendetta’ mask is based upon – that wasn’t a mask, that was his face,” he said. Ditto for Robin Hood.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“In his interview with RT, Moore said he probably “was in a bad mood about comics” when he made the remark, but stood by his comparison of characters like Daredevil or Batman to the Klansmen riding to quash a black riot in the Griffith movie. “I think that there is something that possibly dates back to… the Ku Klux Klan intervention in ‘Birth of a Nation’, the idea of dressing up in a mask, so that what you do doesn’t get back to you,” Moore said.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“He also mused that, as he was writing ‘V for Vendetta’ in 1981, he didn’t quite imagine how certain world-building elements he used would actually come true. One of the features of the novel’s 1997 dystopian society was all-pervasive government surveillance. Imagine my surprise when the Tony Blair Labour government – which was basically a different flavor of Conservative government... came into power in 1997 and immediately rolled out security cameras across the entire country. I wondered whether they had perhaps been enormous ‘V for Vendetta’ fans in their youth.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“I think Anonymous doxed the Tunisian government, they released all their documents to the Tunisian people that kicked off the revolution,” he said. “And then Anonymous moved on to Egypt, where they did the same thing. And then they moved on to Syria, where it didn’t really go so well.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“It doesn’t even matter if we ever fire these missiles or not. They are having their effect upon us because there is a generation growing up now who cannot see past the final exclamation mark of a mushroom cloud. They are a generation who can see no moral values that do not end in a crackling crater somewhere. I’m not saying that nuclear bombs are at the root of all of it, but I think it is very, very naïve to assume that you can expose the entire population of the world to the threat of being turned to cinders without them starting to act, perhaps, a little oddly. I believe in some sort of strange fashion that the presence of the atom bomb might almost be forcing a level of human development that wouldn’t have occurred without the presence of the atom bomb. Maybe this degree of terror will force changes in human attitudes that could not have occurred without the presence of these awful, destructive things. Perhaps we are faced with a race between the Four Horseman of the Apocalypse in one line and the 7th Cavalry in the other. We have not got an awful lot of mid ground between Utopia and Apocalypse, and if somehow our children ever see the day in which it is announced that we do not have these weapons any more, and that we can no longer destroy ourselves and that we’ve got to do something else to do with our time than they will have the right to throw up their arms, let down their streamers and let forth a resounding cheer.”
Alan Moore (born 1953) first seen 1987 wikiquote, CC BY-SA 4.0 source
Recorded in: On the issue of nuclear weapons, in England Their England : Monsters, Maniacs and Moore (1987)
“If there was no point to being offensive (as with a high number of comedians who frequent the average working men's club), then the perpetrator will either be squeezed out of business or be relegated to working in bottom-of-the-heap sleaze pits where nothing more than vulgarity is demanded. Alternately, if there was some integrity behind all the outrage, the perpetrators become persecuted legends with a fanatical cult following and generally exercise tremendous influence upon the artists that come after them. In comedy, Lenny Bruce is an example. In music, perhaps the Sex Pistols. In comic books, EC would fit the bill.”
Alan Moore (born 1953) first seen 2003 wikiquote, CC BY-SA 4.0 source
Recorded in: Alan Moore and Peter David, Alan Moore's Writing For Comics Volume 1 Paperback, (July 6, 2003)
“Now, as I understand it, the bards were feared. They were respected, but more than that they were feared. If you were just some magician, if you'd pissed off some witch, then what's she gonna do, she's gonna put a curse on you, and what's gonna happen? Your hens are gonna lay funny, your milk's gonna go sour, maybe one of your kids is gonna get a hare-lip or something like that — no big deal. You piss off a bard, and forget about putting a curse on you, he might put a satire on you. And if he was a skilful bard, he puts a satire on you, it destroys you in the eyes of your community, it shows you up as ridiculous, lame, pathetic, worthless, in the eyes of your community, in the eyes of your family, in the eyes of your children, in the eyes of yourself, and if it's a particularly good bard, and he's written a particularly good satire then, three hundred years after you're dead, people are still gonna be laughing at what a twat you were.”
Alan Moore (born 1953) first seen 2005 wikiquote, CC BY-SA 4.0 source
Recorded in: The Craft" - interview with Daniel Whiston, Engine Comics (January 2005)
“Originally I was content to just simply accept the money, that was offered when people had adapted my comic books into films. Eventually I decided to refuse to accept any of the money for the films, and to ask if my name could be taken off of them, so that I no longer had to endure the embarrasment of seeing my work travested in this manner. The first film that they made of my work was "From Hell" Which was an adaptation of my "Jack the Ripper" narrative … In which they replaced my gruff Dorset police constable with Johnny Depp's Absinthe-swigging dandy. The next film to be made from one of my books was the regrettable "League of Extraordinary Gentlemen"… Where the only resemblence it had to my book was a similar title. The most recent film that they have made of mine is apparently this new "V for Vendetta" movie which was probably the final straw between me and Hollywood. They were written to be impossible to reproduce in terms of cinema, and so why not leave them simply as a comic in the way that they were intended to be. And if you are going to make them into films, please try to make them into better ones, than the ones I have been cursed with thus far.”
Alan Moore (born 1953) first seen 2006 wikiquote, CC BY-SA 4.0 source
Recorded in: From the BBC2 show The Culture Show (9 March 2006) (separate quotes shown; edited together for the segment of the show)
“There's been a growing dissatisfaction and distrust with the conventional publishing industry, in that you tend to have a lot of formerly reputable imprints now owned by big conglomerates. As a result, there's a growing number of professional writers now going to small presses, self-publishing, or trying other kinds of [distribution] strategies. The same is true of music and cinema. It seems that every movie is a remake of something that was better when it was first released in a foreign language, as a 1960s TV show, or even as a comic book. Now you've got theme park rides as the source material of movies. The only things left are breakfast cereal mascots. In our lifetime, we will see Johnny Depp playing Captain Crunch.”
Alan Moore (born 1953) first seen 2012 wikiquote, CC BY-SA 4.0 source
Recorded in: On creativity versus big businesses, as quoted in in "Alan Moore On Watchmen’s “Toxic Cloud” And Creativity V. Big Business" by Susan Karlin, at Fast Company (2012)
“If you wear black, then kindly, irritating strangers will touch your arm consolingly and inform you that the world keeps on turning. They're right. It does. However much you beg it to stop. It turns and lets grenadine spill over the horizon, sends hard bars of gold through my window and I wake up and feel happy for three seconds and then I remember. It turns and tips people out of their beds and into their cars, their offices, an avalanche of tiny men and women tumbling through life... All trying not to think about what's waiting at the bottom. Sometimes it turns and sends us reeling into each other's arms. We cling tight, excited and laughing, strangers thrown together on a moving funhouse floor. Intoxicated by the motion we forget all the risks. And then the world turns... And somebody falls off... And oh God it's such a long way down. Numb with shock, we can only stand and watch as they fall away from us, gradually getting smaller... Receding in our memories until they're no longer visible. We gather in cemeteries, tense and silent as if for listening for the impact; the splash of a pebble dropped into a dark well, trying to measure its depth. Trying to measure how far we have to fall. No impact comes; no splash. The moment passes. The world turns and we turn away, getting on with our lives... Wrapping ourselves in comforting banalities to keep us warm against the cold. "Time's a great healer." "At least it was quick." "The world keeps turning. Oh Alec— Alec's dead.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“This is an imaginary story (which may never happen, but then again may) about a perfect man who came from the sky and did only good. It tells of his twilight, when the great battles were over and the great miracles long since performed; of how his enemies conspired against him and of that final war in the snowblind wastes beneath the Northern Lights; of the women he loved and of the choice he made between them; of how he broke his most sacred oath, and how finally all the things he had were taken from him save one. It ends with a wink. It begins in a quiet midwestern town, one summer afternoon in the quiet midwestern future. Away in the big city, people still sometimes glance up hopefully from the sidewalks, glimpsing a distant speck in the sky... but no: it's only a bird, only a plane — Superman died ten years ago. This is an imaginary story... aren't they all?”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“In fact, let us not mince words… the management is terrible! We’ve had a string of embezzlers, frauds, liars, and lunatics making a string of catastrophic decisions. This is plain fact. But who elected them? It was you! You who appointed these people! You who gave them the power to make decisions for you! While I’ll admit that anyone can make a mistake once, to go on making the same lethal errors century after century seems to me to be nothing short of deliberate. You have encouraged these malicious incompetents, who have made your working life a shambles. You have accepted without question their senseless orders. You have allowed them to fill your workplace with dangerous and unproven machines. All you had to say was “No.” You have no spine. You have no pride. You are no longer an asset to the company.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“Mind has come up with this brilliant way of looking at the world — science — but it can’t look at itself. Science has no place for the mind. The whole of our science is based upon empirical, repeatable experiments. Whereas thought is not in that category, you can’t take thought into a laboratory. The essential fact of our existence, perhaps the only fact of our existence – our own thought and perception is ruled off-side by the science it has invented. Science looks at the universe, doesn’t see itself there, doesn’t see mind there, so you have a world in which mind has no place. We are still no nearer to coming to terms with the actual dynamics of what consciousness is.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“It strikes me that self, not just my self, but all self, the phenomenon of self, is perhaps one field, one consciousness – perhaps there is only one ‘I’, perhaps our brains, our selves, our entire identity is little more than a label on a waveband. We are only us when we are here. At this particular moment in space and time, this particular locus, the overall awareness of the entire continuum happens to believe it is Alan Moore. Over there – [he points to another table in the pizza restaurant] – it happens to believe it is something else. I get the sense that if you can pull back from this particular locus, this web-site if you like, then you could be the whole net. All of us could be. That there is only one awareness here, that is trying out different patterns. We are going to have to come to some resolution about a lot of things in the next twenty years time, our notions of time, space, identity.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“All of us collectively are fumbling towards an apprehension of something that feels like a kind of group awareness – we are trying to feel the shape of it, it’s not here yet, and a lot of us are probably saying a lot of silly things. That’s understandable. There is something strange looming on the human horizon. If you draw a graph of all our consciousness, there is a point we seem to be heading towards. Our physics, our philosophy, our art, our literature – there is a kind of coherence there, it may look disorganised at first glance, but there is a fumbling towards a new way of apprehending of certain basic fundamentals.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“To me, when we talk about the world, we are talking about our ideas of the world. Our ideas of organisation, our different religions, our different economic systems, our ideas about it are the world. We are heading for a radical revision where you could say we are heading towards the end of the world, but more in the R.E.M. sense than the Revelation sense. That is what apocalypse means – revelation. I could square that with the end of the world, a revelation, a new way of looking at things, something that completely radicalises our notions of the where we were, when we were, what we were, something like that would constitute an end to the world in the kind of abstract – yet very real sense – that I am talking about. A change in the language, a change in the thinking, a change in the music. It wouldn’t take much – one big scientific idea, or artistic idea, one good book, one good painting – who knows – we are at a critical point where the ideas are coming thicker and faster and stranger and stranger than they ever were before. They are realised at a greater speed, everything has become very fluid.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“In terms of almost everything, things are getting more vaporous, more fluid. National boundaries are being eroded by technology and economics. Most of us work for companies that, if you trace it back, exist within another country. You are paid in an abstract swarm of bytes. Consequently, the line on a map means less and less. The territorial imperatives that until very recently have been the main reason for war start to make way. As the physical and material world gives way to this infosphere, these things become less and less important. The nationalists then go into a kind of death spasm, where they realise where the map is evaporating, and there is only response to that is to dig their hooves in. To stick with nationalism at its most primitive, brutal form. The same thing happens with religion, and that is the reasons behind the Fundamentalist Christians. If you look at the power of the Church, starting from the end of the Dark Ages up until the end of the Nineteenth century, you can see a solid power base there with a guaranteed influence over the development of society. If you look at this century, it is a third division team facing relegation. Fundamentalism in religion is the same as the political fundamentalism represented by various nationalist groups, or in science.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source
“As I understand, or as I hallucinate conceptual space, nearly all form in conceptual space is language, I might even say all the form in non-conceptual space is language, I’m not even sure of what the difference between physical space and conceptual space is anymore, in the interface. All form is language. The forms that we see, or imagine, or perceive, or whatever it is Remote Viewers are doing, in conceptual space are mindforms made from language, and by language I also mean images, sounds. We dress these basic ideas in language we can understand. Sometimes there are sizable errors of translation.”
Alan Moore (born 1953) wikiquote, CC BY-SA 4.0 source